Abstract markings
Found in 148 Collections and/or Records:
Serial Piece, 1989
Though seemingly a part of "7 Assorted Pieces," this piece was not originally listed alongside ithe other 6 artworks. The recorded date indicates it was made earlier and separately.
She's Not A Manager Who Hovers In, 2006
six visual sonnets, 1990
Standpoint, 1991
Each page has a grid of nine drawings of abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
Sun Power, 1975
Text(ure), 1977
[Th Dead Roach], 1987
The Gun Child, 1968
d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.
The Puking Pidgeon #1 or The Fucking Duck #1 or The Search for the Holy Houkah, 1966
The painted drawing on the cover was done by levy. Bill Wyatt, is a British poet who carried on a correspondence with levy. Several letters from this interaction are held by the Sackner Archive. Printed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Shore: A Poem, 1974
the sound of colour - the colour of sound, 1997
The Sound of Vertical Breathing / Mennitti-Paraito, Emanuele., 1991
Commissioned for "The Beauty in Breathing" exhibition. The artist visually interpretes the sounds of breathing which can be performed as sound poetry. -- Source of annotation: Marvin or Ruth Sackner.
Traces , 1976
Traits pour Traits (Serie Laurent R), 1988
Triptych 10 For Eric, 1995
Eric refers to the recently deceased Eric Mottram. -- Source of annotation: Marvin or Ruth Sackner.
[Troubly lathered], 2001
The photograph depicts a text by Bennett that Helmes overprinted with four rectangular shapes enclosing abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
[Two Boys Blue Fifth Stage], 1982
[Two Boys Blue Second Stage], 1982
[Typewriter Art], 1981
The drawings are unsigned, but two packing slips accompanying the work with Jennifer Hawkins' signature have been retained. Internet: Jennifer Hawkins trained at the Canberra School of Art and now lives on the South Coast of New South Wales. She works with a range of symbols, materials, and processes to explore the human condition. Though she has been called purist, minimalist, and conceptualist, she says she just uses "whatever materials and techniques seem to make the best marriage with the idea'. She has exhibited in group and solo exhibitions and has work held in private and public collections both here and overseas. In September 2006, she won the Basil Sellers Art Prize with her work ... and on that day they shall rise up... In 2005, Quilt for a Park Bench won the Quota Rotary Art Prize at Wagga. -- Source of annotation: Marvin or Ruth Sackner.