Abstract markings

First Collaboration: Introduction, 1995

Item — Folder 19: [Barcode: 31858072459781]

Identifier: CC-24133-24585

Scope and Contents

Baroni indicates on a collaged printed element that this work arose from daily visits with his son, Giovanni, over a week's time to a public park near his home. Giovanni asked Vittore to take photographs of various scenes in the park. Vittore wrote t he composed texts on his PC as a subsequent chain of thought process remembering this experience. Giovanni did some wild scribblings with crayons which Vittore arranged as part of a 9 panel grid in three collages, together with photographs and texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / Vittore Baroni / First Collaboration

First Visual Poem done on new photocopier - Adapted and used as cover for Dauber by Peter Finch / Cobbing, Bob., 1997

Item — Box 390: [Barcode: 31858072461548]

Identifier: CC-45209-47394

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 1990s / 1997

Fisches Nachtgesang: "das Tiefste Deutsche Gedicht" Eine Interpretation, 1974

Item — Box 622: [Barcode: 31858072461092]

Identifier: CC-22378-22801

Scope and Contents

Manuscript is accompanied by a letter written in German by Brown dated June 11, 1976 explaining his method of interpreting Christian Morgenstern's "Fisches Nachtgesang." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

Fish, 1999

Item — Box Artist Boxed Materials/Oversized: A-Ba: [Barcode: 31858072491164]

Identifier: CC-33570-35223

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / Oversized A-C

[Five Sound Poems: Abstract Markings] / Cobbing, Bob., 1988

Item — Box 390: [Barcode: 31858072461548]

Identifier: CC-17593-17960

Dates: 1988

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 1980s / 1988

Flatland 25-35, 2007

Item — Box 321: [Barcode: 31858072490877]

Identifier: CC-47301-50044

Scope and Contents

Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Flute Totems, 1981

Item — Box 635: [Barcode: 31858072464757]

Identifier: CC-17745-18114

Scope and Contents

This poem also appears in Cobbing's book, Northwest Territories. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 1980s / 1981

For Bill Keith / Cobbing, Bob., 1999

Item — Box 390: [Barcode: 31858072461548]

Identifier: CC-45019-47195

Scope and Contents

This book is based upon an envelope that Cobbing received from the African-American poet, Bill Keith. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999