Laxson writes that the "title is inspired by D.H. Lawrence who said - Don't trust the artist. Trust the tale." And the tale is written by Laxson in brilliant twists, turns, shapes of typography and drawings. -- Source of annotation: Marvin or Ruth Sackner.

The two masks are identical and represent a frontal image of a male face with glasses. -- Source of annotation: Marvin or Ruth Sackner.

Pages consist of rubberstamped, random arrangements of varied colored letters and numbers that signify a metaphor for sexual orgasm. The two copies with identical cover and number of pages differ in the rubbrstamped letters and numbers/ -- Source of annotation: Marvin or Ruth Sackner.

Pages consist of rubberstamped images of screws, nuts, bolts being fastened together and into a wall signifying a metaphor for sexual orgasm. The fold-out page is rubberstamped ying-yang sanitary napkin bag. It is likely that few copies were produced. -- Source of annotation: Marvin or Ruth Sackner.

A different type and colored ink was utilized for each page. According to Drucker, the book was printed from various typefaces at Bow and Arrow, in collaboration with Emily McVarish, each writing one line throughout, to display the type collection, and to teach Emily how to print. -- Source of annotation: Marvin or Ruth Sackner.

Sally Alatalo is the publisher. Subscriptions to Duz Magazine, formerly DuDa Magazine, are offered. -- Source of annotation: Marvin or Ruth Sackner.

A French novel has been placed on a slanted base covered with finely inked cross hatched markings. The pages are folded, woven and sewn so that it is impossible to read the text. -- Source of annotation: Marvin or Ruth Sackner.

The hard cover book includes 15 hieroglyphic drawings uilizing Scherstjanoi's own alphabet that is explained in the book. The poem-drawings are sound poems. Each card depicts a single "letter" of the alphabet. The calligraphy resembles that of Albrecht Genin and Werner Hartmann. -- Source of annotation: Marvin or Ruth Sackner.

Seilles's two page letter to the Sackners details her trials of readjusting to life in France, her artistic work and concern for her health. She is pleased to hear that the Sackners saw her exhibition in the Janet Fleisher Gallery in Philadelphia. The collaged pages of found scraps of paper include a cutting from the Sackner Archive stationery. The loose sheets and the letter are inserted inside a fold of the final page. -- Source of annotation: Marvin or Ruth Sackner.

All of these poems have been placed on the verso of the circular top of a commercial "Cold Spot Freezer Pail Pack." All are titled, e.g., Steady/Unsteady, Lapped/Overlapped, etc. with triangles, squares and circles to illustrate the title. -- Source of annotation: Marvin or Ruth Sackner.

The book is without text and consists of images mainly deal with ropes. BabenkoI was born in 1970 in Krasnodar city of Russia. In 1996 he graduated from the Faculty of the Artistic and Technical Drawing of the Kuban State University. Since 1994 he has taken part in mail art projects. The basic spheres of his creative activity are visual poetry, artistbook and mail art. He has participated in approximately 300 art projects , in roughly 20 countries of the world. -- Source of annotation: Marvin or Ruth Sackner.

The calligraphic markings were modified from fossils discovered in a rock. The artist includes a photocopied photograph of "the rock that inspired the book - a language of fossils." -- Source of annotation: Marvin or Ruth Sackner.

This is a feminist book. -- Source of annotation: Marvin or Ruth Sackner.