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Artist book (citation)

 Subject
Subject Source: Sackner Database

Found in 1450 Collections and/or Records:

Art of the Book, The / Barron S ; Fahlstrom O ; Cornell J ; VanVleit C., 2005

 Item
Identifier: CC-44311-46459
Scope and Contents

This exhibition of artists' bookplates commemorates the 25th anniversay of Printworks. Susan Barron contributed a bookplate for the Biblical Moses and Claire Van Vliet one for Rachel Carson. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Art of the Fold: Accordion Publications / Andre C ; Christo ; Close C ; Douglas H ; Stokes A ; Finlay IH ; Hincks G ; Fulton H ; Godard K ; Williams E ; Gomez-Pena G ; Chagoya E ; Rice F ; Heft C ; Indiana G ; Lavater W ; LeWitt S ; Ligorano N ; Reese M ; Maciunas G ; Morrison L ; Ruscha E ; Marclay C ; Spector B ; Wirth K., 2009

 Item
Identifier: CC-53098-74245
Scope and Contents

This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Art-Read / Horowitz, Glenn; Banner F; Auerbach T; LeWitt S., 2009

 Item
Identifier: CC-50114-71176
Scope and Contents

The recto of the card is a 1976 statement printed by Sol LeWitt about artists' books that begins "Artists books are like any other medium a means of conveying art ideas from the artist to the viewer." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Art-Rite: Artists' Books. No.14/Win / E. deAk, W. Robinson, editors ; Andre C ; Acker K ; Carrion U ; Brown R ; Kostelanetz R ; Logemann J ; Schneemann C ; Truck F ; Weiner L ; Katz L ; Kosuth J ; Cavellini GA ; Frank P ; Dittmar R ; Denes A., 1977

 Item
Identifier: CC-26809-27279
Scope and Contents

Peter Frank describes his experience working with Rolf Dittmar in curating the Artist Bookworks section of Documenta 1977. The cover consists of a text-based work by Carl Andre. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Arte Multi Visone: Festival Internazionale di Arte Mutimediale / Fava V., 1996

 Item
Identifier: CC-41359-43342
Scope and Contents

A book by Vittorio Fava is depicted on page 7 that is either held by the Sackner Archive or similar to the one that is held. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Artifacts / Laura Davidson, 2000

 Item
Identifier: CC-34678-36379
Scope and Contents

This is an announcement for Davidson's limited edition box, consisting of an archeological box and book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Artist as Publisher., 2008

 Item
Identifier: CC-51832-72932
Scope and Contents

This announces a group show of artist books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Artist Book International, 5th / Leiber S ; Nannucci M ; Platzker D ; Bohme AD ; Bronson AA ; Maffei G ; Othoniel JM., 2005

 Item
Identifier: CC-49505-70551
Scope and Contents

This catalogue contians essays by collectors and dealers who describe how they started their collections. It also lists galleries participating in the Artist Book Fair. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Artist Book Manuscript: No Longer Innocent / Bright, Betty; Sackner RK; Sackner MA., 2003

 Item
Identifier: CC-41464-43449
Scope and Contents Marvin Sackner reviewed the book and wrote a blurb for the dust jacket. Betty Bright is a co-founder and curator of the Minneapolis Center for Book Arts who was responsible for over 50 exhibitions in a nine year-period. She has written a book on artist books that removes the chaos from the many flavors of this genre. Her analysis is confined almost exclusively to British and American writers and artists. She discusses artist books chronologically based upon the classification of the fine press book, deluxe book, bookwork, sculptural books and hybrids She begins the journey with the books by William Morris of the English Arts and Crafts movement in the late nineteenth century. She mentions that Morris was preoccupied with the design of the book because he believed that such books should not only tell a story but cause the reader to enter into a new world, a remark that seems apropos to the artist book today. Along the way, she cites exhibitions and catalogues, some well known and...
Dates: 2003

Artist Books / Woodruff, Mark., 1987

 Item
Identifier: CC-00229-237
Scope and Contents

Article describing artist books found in the shop, "Printed Matter". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Artist-Run Spaces / Detterer, Gabriele, editor; Nannucci, Mauriziok, editor ; Klaniczay J ; Wilson M ; Bronson AA ; Lippard L., 2012

 Item
Identifier: CC-58563-10001788
Scope and Contents

Stored in Nannucci box. "This voume, subtitled "Nonprofit Collective Organizations in the 1960's and 1970's," gathers one of the first extensive research on artist-run spaces. Developed in collaboration with the initiators and founders of Art Metropole (Vancouver), Artpool (Budapest), Ecart (Geneva), Farnklin Furnace (New York) La Mamelle (San Francisco), Printed Matter (New York), and Zona (Florence), the activities of these interconnected points of an alternative network are thus introduced by figures such as AA Bronson, Lucy Lippard, Tom Marioni, and Maurizio Nannucci. They develop on the implications of new art practices, self-organizaion strategies, and politics of exchange." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012