Scope and Contents

This is a very well illustrated catalogue of exhibition announcements and posters. Descriptions are often referenced to the Sackner Archive catalogue of 1984. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is the sequel to the exhibition catalogue, "British Artist's Books since 1970." Simon Ford provides a section on Definitions of Artist Books that includes a statement by Marvin Sackner from "The Altered Page" catalogue. The major portion of this book is a listing and description of the books that include among others Phillips, Dante's Inferno, The Heart of A Humument, and Where are They Now by Tom Phillips as well as Langlands and Bell's The Crisis of Western Education. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue describes the bookmaking workshops related to the exhibition of pop-up books opening spring 2005, "Stand & Deliver: Engineering Sculpture into a Book Format" that is curated by Ed Hutchins. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. The works to the exhibition were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. This is a varient copy with a yellow rather than red border on the cover. The Sackner Archive lent Phillips' works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The exhibition was curated by Daniel Traister who contributed a critical essay. Marvin Sackner wrote the preface, "Humumentism": The Works and Ideas of Tom Phillips. Sackner coined a word, "Humumentism" to signify the art form of Tom Phillips, one that intregrates humanistic activities through individual creative thought that falls outside the current popular conception of artistic presentations. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive is listed as holding work by Moore in their collection. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue served as the catalogue for the exhibition at Agnes Scott College Gallery, "Book Unbound." The Sackner Archive lent 22 works to the exhibition that was curated by Cathy Byrd. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue depicts and annotates books that Maret printed, some of whom were written by others. It is mentioned that Maret's books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Page 50, plate 44, depicts Wingbook, an artist book in edition of 12 that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive lent two of Ely's books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This book was published by Karen Kunc/Blue Heron Press to accompany The Liquid Language of Artist's Books Exhibition. Kunc curated the exhibition along with Bob Ebendorf and she also contributed a catalogue forward, Braided Streams, analyzing the history and rational of artists' books. The Sackner Archive is mentioned as holding the works of Claire Satin and Susan Share. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The catalogue mentions that works of Paula Hocks are in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Clive Phillpot asked 23 collectors of artist books in addition to himself to select mass produced, inexpensive artist books from 1950 onward to the present for this exhibition. He also asked each to write an essay explaining his choices. Each of the collectors is listed under contributors. Books by Dieter Roth, Tom Phillips and Ulises Carrion were the most popular cited by the collectors. Sackner's essay follows. When I received the request from Clive Phillpot to provide a list of artists' books - inexpensive books authored by artists that utilize mass-production printing technology - with examples from 1950 to date, I thought that the task would be simple. I would search my database under the classification Artist Book and be finished in a few hours. Here I am one week later writing the essay on the artists' books that I selected from our collection. This is because our database has a single entry for Artist Books that includes one of a kind to press runs of thousands. I had no...

Scope and Contents Clive Phillpot asked 23 collectors of artist books in addition to himself to select mass produced, inexpensive artists' books from 1950 onward to the present for this exhibition. He also asked each to write an essay explaining his choices. Each of the collectors is listed under contributors. Books by Dieter Roth, Tom Phillips and Ulises Carrion were the most popular cited by the collectors. Sackner's essay follows. When I received the request from Clive Phillpot to provide a list of artists' books - inexpensive books authored by artists that utilize mass-production printing technology - with examples from 1950 to date, I thought that the task would be simple. I would search my database under the classification Artist Book and be finished in a few hours. Here I am one week later writing the essay on the artists' books that I selected from our collection. This is because our database has a single entry for artists' books that includes one of a kind to press runs of thousands. I had...

Scope and Contents

The Sackner Archive lent Binder's Metamorphoses Octet to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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Part one of the book illustrates Charriere's paintings and part two his books and bindings. The Sackner Archive is listed under Public Collections of his works. -- Source of annotation: Marvin or Ruth Sackner.

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Marvin Sackner curated an exhibition, held in the Archive for a meeting of the Art Librarians Association, of artists' books from the collection. Examples were selected to illustrate the classification system described by Johanna Drucker in "The Century of Artists' Books." The photographs were taken by Ruth Sackner. -- Source of annotation: Marvin or Ruth Sackner.