This is a review of an exhibition of Artist Books at the Victoria & Albert library. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent "Cries of Poindexter Village" to this exhibition pictured as plate 90. In the catalogue, Robinson describes this work as "a two-volume book I made for my son, Syndey. One volume is 'Schoolyard,' and the other is 'Bethlehem Journey,' a hinged book with a large cloth painting inside. Both volumes are about the voices of the children coming up in Poindexter and the characters who lived there and some of their stories." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent "Cries of Poindexter Village" to this exhibition. In the catalogue, Robinson (1940-2015) describes this work as "a two-volume book I made for my son, Syndey. One volume is 'Schoolyard,' and the other is 'Bethlehem Journey,' a hinged book with a large cloth painting inside. Both volumes are about the voices of the children coming up in Poindexter and the characters who lived there and some of their stories." The folder contains documentation for the exhibition, press releases and a thank you note thanking the Sackners for lending their piece to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the Tom Phillips exhibition in the Van Pelt Library, University of Pennsylvania as borrowed from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review written for Score of "The Altered Page," an exhibition held at the Center For Book Arts that was curated by Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes an essay and interview with Ely by Ian Boyden, Director of the Sheehan Gallery. The illustrations are reproduced from the book with the same title as the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book was assembled by Sara Sackner on the occasion of Marvin Sackner's 70th birthday. It contains clips from the film "Concrete" that Sara produced about the Archive. Her dedication reads, " Oh Clips!/ Speak to me/ LONG and short/ Tell me / Where you want to go!" -- Source of annotation: Marvin or Ruth Sackner.

This is a copy of Drucker's catalogue essay for the exhibition "Symbols to Stories" at the Centre Gallery, Miami-Dade Community College from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents an exhibition of artist books (multiples) by Hutchins. The check list of books are printed four to a card that is slipped into woven page strips also with book listings. The cards illustrate three book installations. The Sackner Archive is listed as holding work by Hutchins. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of Tom Phillips lecture and exhibition of A Humument at the Van Pelt Library. The Humument pages were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Nora Quinlan and William Brown. The Sackner Archive lent four works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured Ebel's text collaged objects as well as Artist Books and the contents of four issues of miniature obscure (edited by Ebel). -- Source of annotation: Marvin or Ruth Sackner.

Includes listings of all editions of Common Sense (beginning in 1989) as well as other publications in print and out of print. Mentions the Sackner Archive among the international institutions holding works of Tarlatt. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that the Sackner Archive holds books of this press. -- Source of annotation: Marvin or Ruth Sackner.

R K Francis writes, "In 1989, following a visit to the Ruth and Marvin Sackner Collection of Concrete and Visual Poetry in Miami, Rea was inspired by the idea of creating an artist's book. His interest in this project grew out of a desire to paint a series of watercolour images to accompany extracts from Rimbaud's 'Une saison enfer,' a work which has for a long time fascinated him." -- Source of annotation: Marvin or Ruth Sackner.

In this catalogue, Share mentions that the Sackner Archive holds her work. -- Source of annotation: Marvin or Ruth Sackner.

Marvin Sackner published his famous "Chicken Soup" postcard with PPP in 1987. The Sackner Archive is listed in "Collections." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent a book to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.