Artist book (limited edition)
Found in 1534 Collections and/or Records:
[Black Rectangle] / Azeredo, Ronaldo., 1973
Blends / Strangulensis, Ficus., 1996
Each page depicts a handwritten column of words or wordlike forms which shows progressive alteration from a primary word to a new one or an image. Examples include among others 1) young - void, 2) falls - mist, 3) ripe - shoe, 4) seed - image of a tree. This has been termed "transmorfation" by Ficus Strangulensis and has also been utilized by other poets, notably Crag Hill, jw curry, and Geof Huth. The transmorfations are composed in a computer and laser printed. -- Source of annotation: Marvin or Ruth Sackner.
Blick-Book / Klassen, Norbert., 1994
Blick-Book / Klassen, Norbert., 1994
The two copies of this book differ in the content of the Bliick pages. -- Source of annotation: Marvin or Ruth Sackner.
Blip Blipped / Gordon, Coco., 1991
Bodh[i] Circu[it]s / Alg[a]e{bra] D[ra[in]] / White, Derek., 2004
Bodies: More than 19,476 Combinations / Grieger, Susan., 1976
This book consists of photographs of a naked man and woman cut horizontally into four sections so that it is possible to combine the bodies (from back and front) in "more that 19,476 combinations." -- Source of annotation: Marvin or Ruth Sackner.
Bonhommes Faits avec des Elastiques / Olbrich, Jurgen O.., 1995
The collaged element on the title page is a rubber band that has been used to create images on a photocopying machine that are depicted on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.
Book 5: Flip Book / Depew, Wally ; Depew L., 1968
Linda Depew did the linoleum block print on the cover. The pages mostly depict a 2 x 2 square or triangular grid with the stencilled letters L, O, V, and E as well as in some instances a blank square placed in various combinations. -- Source of annotation: Marvin or Ruth Sackner.
Book #10 / Marcus, Aaron., 1971
Marcus greatly enlarged the letters of the words in this book to bleed across the pages to make the text illegible. -- Source of annotation: Marvin or Ruth Sackner.
Book 11: Square K / Depew, Wally., 1969
Each page has a stencilled capital K within or slightly outside of a square. -- Source of annotation: Marvin or Ruth Sackner.
Book 17a: Burn Book #1 (achromatic) / Depew, Wally., 1970
Book 17b: Impressions (Sand) / Depew, Wally., 1970
All the pages are blank except for one with an abstract or letter collage composed of sand along with two pages of typewritten documentation. -- Source of annotation: Marvin or Ruth Sackner.
Book 18: The Purple R / Depew, Wally., 1970
This is Depew's first book with rubberstamped pages. -- Source of annotation: Marvin or Ruth Sackner.
Book 18: The Purple R Varient Large R Cover / Depew, Wally., 1970
Book 20: Pornbook / Depew, Wally., 1970
The images of bodies, hands, and genitalia are deliberately grainy making interpretation difficult. -- Source of annotation: Marvin or Ruth Sackner.
Book 22: Black & White Book 1 / Depew, Wally., 1971
Black or white paint was applied to a page and while wet was pressed onto the facing page causing the two to stick together. The physical separation by Depew or the reader of the facing pages can cause tearing of the paper. Some copies have no separations, others multiple separations between the pages. Most covers have black and white paint on blue paper, few are on brown paper. -- Source of annotation: Marvin or Ruth Sackner.
Book 23: The Five Cent Scarlet Ink Book 1 / Depew, Wally., 1971
The publisher is also designated PN2 experiment. The top long side of the pages have red ink stained at their edges; there is no text except for the colophon. -- Source of annotation: Marvin or Ruth Sackner.
Book 24: The Five Cent Scarlet Ink Book 2 / Depew, Wally., 1971
The publisher is also designated PN2 experiment. The short side of the pages have red ink stained at their edges; there is no text except for the colophon.. -- Source of annotation: Marvin or Ruth Sackner.
Book 25: The Five Cent Scarlet Ink Book 3 / Depew, Wally., 1971
The publisher is also designated PN2 experiment. The cover with a red ink stain in its center has been perforated through the center with a thin sharp instrument like a staight pin such the first underlying pages are also perforated. The remaining pages are dimpled through their red center stains. There is no text except for the colophon. -- Source of annotation: Marvin or Ruth Sackner.