Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips dedication reads "for Fiona" [Phillips' wife]. In addition, "This volume is also dedicated in fond memory to the late Ruth Sackner." Marvin and Ruth Sackner togetheras collectors and friends have been the mainstayof support to A Humumentfor over thirty years. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Phillips' dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." The first revision of the book contains 50 pages in which new images have been substituted for the original ones. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This fourth edition, as denoted on the dust jacket but as the third revised edition on its title page, contains about 40 pages in which a new image has been substituted for the original. The pages are printed as giclee printes which is a high class kind of ink jet on fine paper. A purple dust jacket covers the gold cloth covered, cardboard binding. Two humument fragment prints (Canon color copier?) are included in this special edition of the book. One print reads "the life time suspect who knew the arts connect - veil his hidden drama of suspected actors - persons and names : so the changes make the book continue." The color background surrounding a rectangle placed in the center consisting of gray-black murky figures from collaged old engravings consists of line drawn faces. The poem in this print references Tom Phillips' continuing involvement with A Humument....

Scope and Contents

Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This third edition, as denoted on its cover but the second revised edition as denoted on its title page, contains about 100 pages in which a new image has been substituted for the original. The cover of this book is predominantly yellow-gold rather than brown intended by the designer. It was purchased at the Dual Muse exhibition held at the Washington University Museum of Art. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 32 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. There are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The colophon called for10 prints in this volume but instead it includes 42 prints. The edition size was 100 copies and 25 copies hors commerce. The pages were silkscreened by Kelpra Studio London. The colophon is not signed.Theer are two boxes labelled Vol. X. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The original of this book was published in 1889 by an author whose name was cancelled with white paint by Kuefte. The text is cancelled on each page with solid white paint leaving some words of the text intact to form a new poetry analogous to Tom Phillips' "A Human Document." Mistakingly filed under Kuefte, Mary. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The original of this book was published in 1889 by an author whose name was cancelled with white paint by Kuefte. The text is cancelled on each page with solid white paint leaving some words of the text intact to form a new poetry analogous to Tom Phillips' "A Human Document." -- Source of annotation: Marvin or Ruth Sackner.