This is Skuber's first book. -- Source of annotation: Marvin or Ruth Sackner.

Part 1 is subtitled "Innocence, Elegance, Riches & Rags" and traces historical events from 1903 (Wilbur and Orville Wright fly an airplane at Kitty Hawk) to the 50's. Part 2 is subtlitled "Wars, rights & ego-echo." Part III is "Cyber Self & the Ether/Other." Brad Freeman was responsible for the digital prepress and offset printing. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile edition of one of the artist's sketchbooks. It was edited and designed for publication by Gerald Malanga. Mention is made of asbestos and nicotine in one of the poems. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book is balls and the eyes. The text is densely printed in the shape of a circle or the four corner perimeter of a circle. The wood block prints depict images of small human figures with handwriting. This book is one of a series entitled, Collection Grames-Ecriture. The prints and cover were made by Emile Bernard Souchiere. Stored in Parant box. -- Source of annotation: Marvin or Ruth Sackner.

This book consist of the scores five single or multiple sound/performance poems with notes on the poems in a section at the end of the book. The poems are highly graphic in nature and are intended as a guide to the performer. -- Source of annotation: Marvin or Ruth Sackner.

The text accompanying the images is written in mixtures of German, English, and French without punctuation and paragraph separations. -- Source of annotation: Marvin or Ruth Sackner.

The text accompanying the images is written in mixtures of German, English, and French without punctuation and paragraph separations. -- Source of annotation: Marvin or Ruth Sackner.

The typed carbon drawing entitled, "Conquest Display" that was once held by the Sackner Archive is depicted in this catalogue. The poem "Flange Blade" (1966) [24.5 x 14 cm] that is depicted in this book was autioned for $114,343 in Chistie's London in 2012. -- Source of annotation: Marvin or Ruth Sackner.

The text has the appearance of a novel but none of the words are intelligible. On the last page, there are two lines of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

Evru is the name takened by Zush in 2001 whose birthname was Alberta Porta. -- Source of annotation: Marvin or Ruth Sackner.

This book was critically reviewed by Marjorie Perloff in Harvard Library Bulletin Vol.3 No.2, 1992, a periodical held by the Sackner Archive. This is the trade edition of the book that was first printed in a limited edition of 70 copies in 1990. -- Source of annotation: Marvin or Ruth Sackner.

This book is Laxson's view of the impact of a nuclear explosion. -- Source of annotation: Marvin or Ruth Sackner.

The photographic portion of this book is reprinted from a book first published by Centro DI in Florence, Italy in 1971. The translucent paper, printed pages inserts with writing and abstract markings are new to this edition. The photographs depict realistic intertwined hands and arms from single or multiple subjects usually captioned in Italian and English with a brief phase or poem. There are two translucent paper overlays tracing each one of the photographic images. The top one traces the outlines of the photograph with line and calligraphic text and the bottom one with shading and calligraphic text. Ketty La Rocca was born in 1938 and died in 1976, one year after the book was published. -- Source of annotation: Marvin or Ruth Sackner.

Bouabre, visionary, priest and great purveyor of universal truths, lives and works in Abidjan, Ivory Coast, Africa. At daybreak, Thursday, March 11, 1948, Bruly Bouabre witnessed a celestial vision of seven suns in a blue sky. This vision lead him to become a prophet, teaching divine truths communicated to him in his dreams. He sends his thoughts out to the world in a minimal postcard-like format, reflecting one of the most elemental forms of mass communication. A virtual brick of his unbound images finds refuge in the fabric-covered blue box, the metaphoric reliquary for his spiritual missives. The weight and density of the book is a visible statement on the solidity and strength of his creed, of his daily art making ritual, and of his absolutely infinite reflections on humanity, society and the universe. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of a book that was first illustrated by Monaco. It is stored with the Berman publications. -- Source of annotation: Marvin or Ruth Sackner.