This is Skuber's first book. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner's lent their Welty collage piece to the exhibition that will travel to the Zimmerli Art Mueum at Rutgers University. The work is titled "Soundtrack to My Life: Once in a Lifetime by the Talking Heads (Grocery Store)." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Germano Celant. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of concrete poetic permutations of the artist's name and serial black and white photographic face portraits of a woman eating food that consists mostly of bananas with erotic posturing suggestions. Flash Art No.76-77 1977 included an advertisement that features Natalia at Spagetti & Co. Milan. Note that Natalia LL full name is Natalia Lach-Lachowitz. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict geometric figures. -- Source of annotation: Marvin or Ruth Sackner.

This is the first trade edition printing. It was originally supported and published as a limited edition artist book by Circle Press in 2005. The Sackners visited Sam Winston in his London studio In September 2010. -- Source of annotation: Marvin or Ruth Sackner.

This book is a graphic melodrama of romance, crime, and passion. It addresses adolescent angst in all of its fashionably gory details. The snares and pitfalls of contemporary life, which all girls must struggle to survive, are here revealed through darkly comic and fiendishly noir prose, accompanied by lurid collages and unusual typography. -- Source of annotation: Marvin or Ruth Sackner.

Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This fifth edition is denoted on its cover and contains about 80 pages in which a new image has been substituted for the original. The dust jacket color is vermillion. For this edition Phillips has placed his introduction at the back of the book,"'Hoping that the reader would want to meet the book head on." In this essay Phillips describes the history of his creation of A Humument with personal references and mentions that the Sackner Archive holds the original copy. -- Source of annotation: Marvin or Ruth Sackner.

Phillips' dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." The first revision of the book contains 50 pages in which a new image has been substituted for the original. -- Source of annotation: Marvin or Ruth Sackner.

Publication of "A Humument" was begun in 1970 by Tetrad Press with a box of 10 silkscreened pages. The original manuscript was started in 1966 and completed in 1973; it was exhibited in 1973 at the Institute of Contemporary Art, London. The current edition, now out of print, differs from the Tetrad in that several new pages were substituted for the first versions and several others were reworked by hand, using advantages of revision offered by offset color lithography. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of the book. Publication of "A Humument" was begun in 1970 by Tetrad Press with a box of 10 silkscreened pages. The original manuscript was started in 1966 and completed in 1973; it was exhibited 1973 at the Institute of Contemporary Art, London. The current edition, now out of print, differs from the Tetrad one in that several new pages were substituted for the first versions and several others were reworked by hand, using advantages of revision offered by offset color lithography. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of the book. Publication of "A Humument" was begun in 1970 by Tetrad Press with a box of 10 silkscreened pages. The original manuscript was started in 1966 and completed in 1973; it was exhibited in 1973 at the Institute of Contemporary Art, London. The current edition, now out of print, differs from the Tetrad in that several new pages were substituted for the first versions and several others were reworked by hand, using advantages of revision offered by offset color lithography. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of the book. Publication of "A Humument" was begun in 1970 by Tetrad Press with a box of 10 silkscreened pages. The original manuscript was started in 1966 and completed in 1973; it was exhibited in 1973 at the Institute of Contemporary Art, London. The current edition, now out of print, differs from the Tetrad in that several new pages were substituted for the first versions and several others were reworked by hand, using advantages of revision offered by offset color lithography. -- Source of annotation: Marvin or Ruth Sackner.

Phillips dedication reads "for Ruth and Marvin Sackner, patrons, friends who guard my work between them like book ends." This third edition, as denoted on its cover but as the second revised edition as denoted on its title page, contains about 100 pages in which a new image has been substituted for the original. A brown dust jacket covers the yellow-gold soft cover binding which was not Phillips' preferred color. -- Source of annotation: Marvin or Ruth Sackner.

Part 1 is subtitled "Innocence, Elegance, Riches & Rags" and traces historical events from 1903 (Wilbur and Orville Wright fly an airplane at Kitty Hawk) to the 50's. Part 2 is subtlitled "Wars, rights & ego-echo." Part III is "Cyber Self & the Ether/Other." Brad Freeman was responsible for the digital prepress and offset printing. -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com reviews: A -- Attention adults. Announcing a new book-a very personal book, in fact a decidedly quirky book-from Sara Midda, renowned artist of singular talent and author of In and Out of the Garden, Sara Midda's South of France, Sara Midda's Baby Book, and Growing Up and Other Vices. B -- Beguiling and whimsical and enigmatic, A IS FOR ADULTERY is an alphabetical entertainment for grown-ups. Each spread considers a letter, weaving words through dazzling miniatures and vignettes. Some words are obvious; some hidden. (Some naughty.) It is a great pleasure to look, even more so to seek. C is for crayon, crotch, claustrophobia. M for melon, masochist, melancholy, and man. Filled with charming little figures and painted with Midda's exquisite watercolor wash, here is a rare and wonderful marriage of humor and beauty-a treasure of fine things that is both a gift and a game. -- Source of annotation: Marvin or Ruth Sackner.

Gilbert integrates visual images, clippings from newspapers and books, scientific tables, and reproductions of maps to call attention to the hazards of nuclear energy. -- Source of annotation: Marvin or Ruth Sackner.