This publication is based on the Lewis Carroll masterpieces "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There." Vittore Baroni had a life-long fascination with the writing of Carroll and Alice's adventures. -- Source of annotation: Marvin or Ruth Sackner.

Includes documentation of works by the "The Nomads." -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial letter as his surname. -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial as his surname. -- Source of annotation: Marvin or Ruth Sackner.

This project was organized by Werner Pfeiffer, Professor of Art at Pratt Institute with input from Deirdre Lawrence, Principle Librarian, Brooklyn Museum of Art and was produced by students of Pratt Institute Art of the Book curriculum. The theme of this work is Brooklyn. -- Source of annotation: Marvin or Ruth Sackner.

Contirbutors each produced ten A4 sheets each sheet relating to one of the ten letters in BERN PORTER... The theme is anti-nuclear war weapons. This oeriodical is stored in Robin Crozier's box. The names on the cover are unfamiliar to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Aside from Klassen and Olbrich, four other artists appear to have contributed to this object. However, their names are illegible.

This edition contains original works by international poets-artists. Includes an artist book containing rebuses by Dencker; the galley proof of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

One page of this periodical depicts a drawing by the Italian artist, Gianfranco Baruchello, in which the artist has interpreted the lungs as bellows. -- Source of annotation: Marvin or Ruth Sackner.

Published by the Brooklyn Waterfront Artists Coalition. -- Source of annotation: Marvin or Ruth Sackner.

Milan Knizak, Ann Holyoke Lehmann, Rune Mields, Augustina Von Nagel, Jurgen Olbrich, Ingo Trauer, Emmett Williams, and Wolfgang Hainke all contributed objects to the box and signed some of their works. The book incorporates a magazine that reviewed the top ten black jazz and blues recording artists in 1956. The 24 blank embossed pages bear an imprint of a small nail or pin on the left center portion of the pages. -- Source of annotation: Marvin or Ruth Sackner.

This assembling on the theme of the garden was published in conjunction with an exhibition at the Galerie am Kreuzberg with the same artists who exhibited. -- Source of annotation: Marvin or Ruth Sackner.

The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.

The cover is collaged with an artist stamp depicting Princess Di. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by Rea Nikonova. Includes an introduction by Andryczuk and an essay by Pierre Garnier on constructivistic poetry. -- Source of annotation: Marvin or Ruth Sackner.

Janus Head was assembled with original material received through 1980. -- Source of annotation: Marvin or Ruth Sackner.