Assembling
Found in 487 Collections and/or Records:
Codex, The. No.4 / Drake LB., 1986
CO=LABORATIONS / spence, pete, editor ; Nakamura K ; Cares A ; Vleeskens C ; Cutts G ; Mizzi D ; Blaine J ; Boschi A ; Dellafiora D ; Robinson I ; Seaford R ; Seifert J., 1999
The contributors added to the central image of an arm depicting blood vessels. -- Source of annotation: Marvin or Ruth Sackner.
Collective Farm: Five Year Plan. No.5 / Valeriy Gerlovin, Rimma Gerlovina, editors ; Bakhchanyan V ; Berghash M ; Doria C ; Bojko S ; Dupuy J ; Frank P ; Friedman K ; Furnival J ; Gerlovin V ; Gerlovina R ; Lipski D ; Morrow C ; Ox J ; Schneeman C ; Truck F ; Zelevansky P ; Jacob JP ; Kostiuk M ; Atkins R ; Balken B ; Balken D ; Bertlmann R ; Bidlo M ; Blane M ; Bohnenkamp L(vc) ; Cook E ; Dobbins R ; Hambleton R ; Hayman RIP ; Hsien T ; Kean PM ; Khudyakov H ; Makarevich I ; Morgan R ; Reese RH ; Samuels D ; Tuynman C., 1987
Manilla envelopes bound into the book contain broadsides. The envelopes are titled: Draft, Social Engineering, Subconcious Team, Politics/Military, Money Law, Industry, Bios, Forbidden Fruits, Sound Theatre, Miscellaneous. As seen on title page and indicated by (c) in others, most of the images were designed by the Gerlovins. -- Source of annotation: Marvin or Ruth Sackner.
Collective Farm: Kolkhoz. No.1/Dec / Valeriy Gerlovin, Rimma Gerlovina, editors ; Gerlovina R ; Gerlovin V ; Khudyakov H ; Bakhchanyan V ; Komar & Melamid ; Tupitsyn V ; Kuzminsky K., 1981
This periodical is an example of Samizdat Art. The title translates to "Noncreativity." -- Source of annotation: Marvin or Ruth Sackner.
Collective Farm: Letters to the USSR. No.2 / Valeriy Gerlovin, Rimma Gerlovina, editors ; Bakhchanyan V ; Baroni V ; Blaine J ; Bleus G ; Hendricks J ; Gerlovin V ; Gerlovina R ; Groh K ; Zelevansky P ; Cole D ; CrackerJackKid ; Olbrich JO ; Truck F ; Frank P ; Friedman K ; Furnival J ; Heidsieck B ; Toche J ; Makarevich I ; Uccello P ; C.D.O.., 1982
The covers of this artist book, edited by the Gerlovins, are kraft paper envelopes; the front cover contains a loose folded sheet for the colophon and the back cover information on Issue No.3. Each of the other 21 envelopes consists of a cellophane windowed, white paper envelope that contains a contribution by the artist/poet. Most but not all of the contents of the contributions deal with Russian themes. -- Source of annotation: Marvin or Ruth Sackner.
Collective Farm: Post Office Dinner. No.3 / Valeriy Gerlovin, Rimma Gerlovina, editors ; Bakhchanyan V ; Pittore-Eurofico C ; Spiegelman L ; Schulz T ; Cleveland B ; Kostelanetz R ; Buczak B ; Nussberg L ; Rypson P ; Gerlovin V ; Gerlovina R ; Hendricks G ; Higgins EF-III ; Olbrich B ; Durland S ; Eckmeyer MR ; Abramov A ; Miller R ; Anderson H ; Madam X ; Chiaromonte J ; Hsieh T ; Plunkett E ; No-Grupo ; Kuryluk E ; Ur A., 1982
The pages consist of grey envelopes, each with contents listed above. One of the booklets, Piotr Rypson's "AEIOU" is a Sator Editions (30/50) 1981. -- Source of annotation: Marvin or Ruth Sackner.
Collective Farm: Wonderkids. No.4 / Valeriy Gerlovin, Rimma Gerlovina, editors., 1983
Each drawing, enclosed within a printed, rubberstamped envelope, was based upon an artwork by a famous artist, e.g., Dubuffet, Miro, Klee, etc. who was influenced by a child's drawing. This was reinterpreted by a child, 1 1/2 to 9 years of age, son or daughter of a contemporary artist, from a fragment of the work. A small, torn fragment of a printed reproduction was collaged onto a papercard sheet measuring 26.5 cm x 17.6 cm. It was placed along the side so that it could be seen in part through the cellophane window of the envelope. The parents of the children who made these drawings were Jean Dupuy, Michael Kostiuk, Jacques Halbert, Fred Truck, Jon Hendricks, Paul Zelevansky, Jon Gibson, etc. -- Source of annotation: Marvin or Ruth Sackner.
Collusion. No.2 / Alatalo S., 1988
Printed at the School of the Art Institute of Chicago. -- Source of annotation: Marvin or Ruth Sackner.
Color Xerox Annual. No.1 / Dean N ; Cavellini GA., 1983
Common Sense: Common Sense 1989-1998. No.11A / Jorg Kowalski, Ulrich Tarlatt, editors ; Andryczuk H ; Deisler G ; Gappmayr H ; Groschopp A ; Hess H ; Huckauf P ; Kowalski J ; Malik A ; Mon F ; Nikonova R ; Strugalla J ; Tarlatt U ; Warnke U ; Weber FJ ; Zylla K ; Garnier P ; Wagner D ; Berger M ; Genin A ; Fahrner B ; Dencker KP ; Reiche J ; Mayrocker F., 1999
The book serves as a catalogue that lists and illustrates the contents of nine years of Common Sense issues. The folder is an assembling done by selected artists that appeared in Common Sense holds unique pages by various artists and poets. -- Source of annotation: Marvin or Ruth Sackner.
Common Sense. No.2 / Jorg Kowalski, Ulrich Tarlatt, editors ; Garnier P ; Deisler G ; Huckauf P ; Nikonova R ; Scherstjanoi V ; Scholz C ; Tarlatt U ; Warnke U ; Zauner H., 1990
In a critical essay, Jans Henkel reviews the current status of artists' books in East Germany. -- Source of annotation: Marvin or Ruth Sackner.
Common Sense. No.3 / Jorg Kowalski, Ulrich Tarlatt, editors ; Vallias A ; Deisler G ; Ely T ; Prautzsch HU ; Rausch R ; Kowalski J ; Tarlatt U ; Wagner D ; Scherstjanoi V., 1991
Common Sense. No.4 / Jorg Kowalski, Ulrich Tarlatt, editors ; Nikonova R ; Prautzsch HU ; Schmidt SJ ; Joyce J., 1992
Includes a print by Peter Ford from Finnegan's Wake, "Deposed but anarchistically respectsful of the liberties of the noninvasive individual." According to Judith Harrington, a Joycean expert, this is the 111th epithet castigating HCE, Here Comes Eve The word, deposed, relates to legal language and political change. She believes that the remainder of the phrase was taken by Joyce from Benjamin Tucker's book "Instead of a Book" that proclaimed the liberty of a non-invasive personality! -- Source of annotation: Marvin or Ruth Sackner.