Twenty copies of the examples de tete were bound by Knoderer - the Sackner Archive copy is one of these copies. The illustrations by Pageris are semi-realistic, line drawings with a background of black watercolored abstract markings. The bookbinding has sample strips of tooled and painted leather laid into a bimorphic shape whose silhouette has features resembling the side of the human face. The binding is much larger than the booklet which is conventionally shaped. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book appears to be Mickey Mouse with silhouettes of his head depicted on several pages. Calligraphic markings that resemble a grid of words are overwritten in ink, and, white, red, and black paint on pages which appear to have been appropriated from a commercial publication in ink and in white, red, and black paint. The binding for this book is a Neo-Dada tour de force. The top and foredge are curved and thick gobs of black, green and red paint are spread over the black, yellow and red painted canvas that overlay the covers of the book. The centers of both covers are perforated for irregular diamond-shaped translucent plastic windows. Garcia-Mulet and Knoderer's names are written on the front cover and "Free Book" on the back cover. -- Source of annotation: Marvin or Ruth Sackner.

The booklet was designed using drawings made by Pagiras to form the word, 'Lettre,' one letter to a page. These letters are repeated on each page along with abstract markings and/or a profile of a stylized face. After completion of the text, the page depicts a stylized frontal view of the face with different letters eminating from the area of the brain. Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

The inserted stapled pages consist of a glossery of French bookbinding terms used in the catalog. The works on exhibition featured French avant garde bookbindings. -- Source of annotation: Marvin or Ruth Sackner.

The artist's works consist of sculptural avant garde bookbindings mostly of other artists' and writers' books. The Sackner Archive holds several books by Knoderer and his collaborator, Christie Pagiras, that were purchased on a visit in June 1996 to Knoderer's studio in Montpellier, France. -- Source of annotation: Marvin or Ruth Sackner.

The booklet was designed by taking colored printed letters from clippings of the popular press and collaging them onto pages with a collaged visual and verbal background. The text reads, "R.W. Emerson essays - nothing great was ever achieved without enthusiasm." Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.