This book contains sound scores with some instructions for the participating poets. Helmes defines "Haibun" as a prose poem above and a line of Haiku below. Pages 49 and 53 were printed letterpress by Phil Gallo. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Each page depicts three elements, e.g., a single outline of a large letter by McMurtagh that is embellished with adjacent small calligraphic markings by Bennett and a printed text by one of the poets below. -- Source of annotation: Marvin or Ruth Sackner.

Bennett gave these prints to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

Five of the poems (one to a page) in this book were composed in collaboration with John M. Bennett, Andre Repeschko, anf Miekal And. The poems are done in several diverse styles. -- Source of annotation: Marvin or Ruth Sackner.

This collaboration combined the rubber stamping of Helmes with the unique hand writing of Bennett on each page. The work was completed at the poets' residency at the Florida Art Center. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.

Bennett gave this drawing to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

Andrew Topol described to the Sackners during a visit with his wife Crystal that the three artists collaborated on this work by sending the drawings to each other for their additions. The orange spray paint and the painted calligraphic markings are by Andrew Topol. Jim Leftwich did the sponged black markings. John M. Bennett added his colored scrawls and the collaged elements. He did not sign any of the drawings. -- Source of annotation: Marvin or Ruth Sackner.