Camoron in a personal communication notes that these pages contain "suggestions for everyone I shd invite to contribute to 'oxpo" - the expo at Oxford I curated - with my notes & check marks, perforated for use in a binder, not graphically interesting but packed with names & comments on concrete poets &c." Houedard comments in this letter"now this time yiou better REALLY get me in touchw/ this stinking FAMILY & none of your branchmanagers..." Houedard mentions Suzanne Bernard and her galerie in Paris but it is no longer in business (2014). -- Source of annotation: Marvin or Ruth Sackner.

Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

This book was done while Atchley was teaching at the University of Victoria (1969-1971) in Canada. Although Atchley had a background in fine printing and typesetting, he had dabbled in xerography in Baltimore and conceived of this book as a xerox project. He bought 250 empty three ring notebooks and invited all his friends to contribute up to 10 pages, 250 copies of each page. To encourage participation, the invitation stated that all pages would be included without editing. By the end of the year, there were about 60 contributors. Dana Atchley's "Notebook 1," an assembling, was published in March 1970 about the same time as Assembling No.1, edited by Kostelanetz and Korn.The envelope within the notebook contains ten Fluxus performance direction sheets. -- Source of annotation: Marvin or Ruth Sackner.

This piece depicts sketches of Pat Morrisey's name broken down into syllables of the former Directoi of the Bear Lane Galley in Oxford England. -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes that these pages are "numbered by hand, with many dsh correx + typesetter's markups for 'the flip side of language' -- looks like it might be dsh's entry for the issue of the Oxford mag ISIS on concrete poetry which I edited, but I don't have a copy for comparison & it's hard to say..." This essay appeared in ISIS No.1507, 1966, a periodical hels by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.