Scope and Contents

After the breakup of Yugoslavia in 1991, Ljubljani became the capital of the sovereign country of Slovenia. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title "apes sade " reads the same upside down. The other reversals are "woad peom,"i was semi," teat teat" and "doom woop." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Bohn analyzes Apollinaire's exhibition catalog dealing with Leopold Survage and Irene Lagut using calligrams of prose as the vehicle for his critique. Bohn is especially intrigued with the rare handcolored edition of the catalog that he mentions is owned by the Columbia University rare book collection; it was the only copy he was able to find. Just after publication of his book, Bohn visited the Sackner Archive and learned of its handcolored edition - too late to include in the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Every other page is a drawing of a nude in a kneeling position whose body is filled with printed text opposite a page of dense handwriting. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The fish figures are drawn by Hayes in specific yoga poses with unhealthy foods illustrated on each page.The slipcase has two realistic rubber fishes attached to each side.WEB site 2013: Ric Haynes was born in York, Pennsylvania in 1945. As a child he constantly made art that told stories and spent hours producing large works that depicted epic battles, circus life, and Indian wars and villages. He went to a boys' school that was located next to a reformatory and often was confused with those who were serving time. Haynes attended The Maryland Institute College of Art in 1964-68 on a Ford Foundation Grant, and later the Skowhegan School of Painting and Sculpture in 1967, where he studied with Walter Murch, Ben Shahn and Philip Pearlstein. He briefly attended The University of Pennsylvania where he refused to paint like his teachers, and in 2002 he received a MFA in Visual Arts from Vermont College of Norwich University. He teaches painting and creative book making at Endicott...

Scope and Contents The fish figures are drawn by Hayes in specific yoga poses with unhealthy foods illustrated on each page.The slipcase has two realistic rubber fishes attached to each side.WEB site 2013: Ric Haynes was born in York, Pennsylvania in 1945. As a child he constantly made art that told stories and spent hours producing large works that depicted epic battles, circus life, and Indian wars and villages. He went to a boys' school that was located next to a reformatory and often was confused with those who were serving time. Haynes attended The Maryland Institute College of Art in 1964-68 on a Ford Foundation Grant, and later the Skowhegan School of Painting and Sculpture in 1967, where he studied with Walter Murch, Ben Shahn and Philip Pearlstein. He briefly attended The University of Pennsylvania where he refused to paint like his teachers, and in 2002 he received a MFA in Visual Arts from Vermont College of Norwich University. He teaches painting and creative book making at Endicott...

Scope and Contents

This catalogue was published in three editions, 40 copies with signed original prints, and five copies with signed photographic documentation by Thomas Gunther along with a signed print by Zylla. This copy was one of the latter series. The first sectionof this catalogue depicts colored photographic reproductions of gouaches by Zylla that illustrate books written by Thomas Bernhard. The second section depicts paintings, gouaches, and prints by Zylla that illustrate Karlheinz Deschners' novel, Die Nacht steht um mein Haus. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.