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Calligraphic text

 Subject
Subject Source: Sackner Database

Found in 3006 Collections and/or Records:

Archduke Rainier papyrus 14 / Dom Sylvester Houedard, translator., 1965

 Item
Identifier: CC-57065-10000427
Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Archduke Rainier papyrus 15 / Dom Sylvester Houedard, translator., 1965

 Item
Identifier: CC-57066-10000428
Scope and Contents

This work is listed in the "Chronology of Visual Poetry" section published in bob cobbing & peter mayer's book, concerning concrete poetry (1978). It was a revision of an article written by Houedard for the "Between Poetry and Painting" exhibition. The manuscript and book of the latter is held by the Sackner Archive. This papyrus is a Greek text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Archive for A Garden of Wild Stones / Finlay, Ian Hamilton; Harvey, Michael; Lyle, Peter; Thorpe, John R.; Butler, Vincent; Oliver, George; Jones D., 1972 - 1973

 Item
Identifier: CC-12670-12913
Scope and Contents In Nov 1972, Finlay writes to Vincent Butler, who built the aircraft carrier sculpture for Stonypath, expressing his displeasure with the quality of the drawing for the Wild Stone project. Finlay indicates that unless Butler can produce a better drawing, their collaboration should cease. No reply from Butler is contained within this Archive and letters from Finlay to Peter Lyle, Michael Harvey, and George Thorpe are sent requesting their assistance with the project along with those of Butler. Finlay writes that the poems to be inscribed upon the Six Wild Stones are one word poems analogous to Japanese Haiku where art is a matter of brevity and suggestion and wild (native) stones in a formal area is equivalent to a Japanese rock Garden. Examples include the poem Curfew "Curlew." Curlew is a bird heard mostly on still, misty days or in the evening with a long, sad cry. Finlay includes a plan on graphite tracing paper, ...a large area mown grass ...stone paving slats...stone poems...
Dates: 1972 - 1973

Archive for Definitions of Lawns (2) / Finlay, Ian Hamilton; Harvey, Michael., 1974

 Item
Identifier: CC-12802-13089
Scope and Contents

This plan for a projected U-boat sculpture depicts line drawings of a conning tower separated by a moat from a cow staring at it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Archive for Point to Point / Finlay, Ian Hamilton., 1969

 Item
Identifier: CC-12849-13136
Scope and Contents

The sketch is titled "Hommage to John Betjeman," and this is a subtitle that also appears on the card. The card depicts ships alongside a list of their female names. On the proof copy, instructions have been written by Finlay to "Lighten grey/green" color in which the card is printed. The trade copy has this corrected color. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Archive for Schiff Brooch / Finlay, Ian Hamilton; Cherry, Norman., 1973

 Item
Identifier: CC-12796-13082
Scope and Contents

In May 1973, Finlay writes Norman Cherry, a jewelry designer in Kelso, to make a brooch using his Schiff (German word for ship) poem composed for the Stuttgart Max Plank project. He offers several designs including Schiff depicted as a reflection in a pool which is ultimately accepted. The two exchange letters on the progress of the work which is completed in Aug 1973. A letter dated Nov 1973 from Finlay to Buchwald, architect of the Stuttgart project, offers the silver brooch for sale. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Archive for Who Owned the Last Norfolk Wherry / Finlay, Ian Hamilton; Harvey, Michael., 1974

 Item
Identifier: CC-12803-13090
Scope and Contents

The stapled pages consist of Finlay's handwritten text and drawing of the Norfolk Wherry, a type of sailing ship. The maquette with calligraphic, printed letterforms and a drawing of a Norfolk Wherry was made by Michael Harvey. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Archive Listing of Ian Hamilton Finlay Books / Feine, Bob; Finlay IH., 1983

 Item
Identifier: CC-11751-11969
Scope and Contents

Feine describes in extensive detail an archive of 40 Finlay works that were subsequently purchased by the Sackner Archive. This list is filed under Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Ars Illuminandi - Abramo Cone / Guardi, Silvio., 1984

 Item
Identifier: CC-09927-10124
Scope and Contents

Guardi made an oversized plexiglas frame for the collage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Ars Longa / Cole, David., 1988

 Item
Identifier: CC-18624-18996
Scope and Contents

A note by Cole on the visit of the Sackners to his studio/residence followed by a lecture (in the company of Susan Barron as well) at the New York Public Library on ancient Hebrew texts and ending with dinner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Ars Scribendi Non Finito / Scherstjanoi, Valeri., 1993

 Item
Identifier: CC-28960-30292
Scope and Contents

This second edition has been extensively revised as to additional calligraphic content. Scherstjanoi has made a small drawing of lips near the inscription page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Art and Architecture / Sotheran, Henry ; Malevich K ; Lissitzky E ; Rodchenko A., 2012

 Item
Identifier: CC-59857-10002912
Scope and Contents

This book depicts three Russian Avant Garde facsimile books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

Art / Hirschman, Jack A.., 1990

 Item
Identifier: CC-09001-9178
Scope and Contents

Poem written as an homage to Art Blakey, the jazz musician. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990