Calligraphic text
Found in 3002 Collections and/or Records:
Workball / Segay, Serge ; Bennett, John M.., 1998
Working Day and Night, 1989
This work shows a balcony with books, very much like the Sackner Archive. The artist confirmed that he had no idea of this when he did the work. In the bottom center, a child is seated at a round table. Through two large windows are a day time and a night time scene. The frame is covered with dense hand-lettered text on topology. The top and bottom edges are written backwards and can be read with a small mirror provided by the artist. -- Source of annotation: Marvin or Ruth Sackner.
World Wall One Documents 1981-1987 / Furnival, John; Rypson P; Phillips T; CrackerJackKid; Melnicove M; Sackner DR; Baroni V; Spector B; Olbrich JO; Toth G; Pittore-Eurofico C; Random S; Hundertmark A; Scott M; Cheek C; McAlpine B., 1988
This consists of letters, cards and messages on scraps of paper from the participants who sent rocks to Furnival's wall project. Furnival mounted most of them on cardboard backings. The rock wall was erected at the Furnival's house in Stroud. -- Source of annotation: Marvin or Ruth Sackner.
Worlds Envisioned / Untitled / Bouabre, Frederic Bruly., 1994
Wormwood Review, The: Flowers in a Tin Can. No.86 / Wilma Elizabeth McDaniel., 1982
Edited by Marvin Malone. The entire issue consists of poems by Wilma McDaniel. -- Source of annotation: Marvin or Ruth Sackner.
Wormwood Review, The. No.79 / Weidman P., 1980
Edited by Marvin Malone. Wholly devoted to Phil Weidman's poems entitled, "Blind Man's Bluff." Includes a section reproducing Weidman's handwritten notebook pages. -- Source of annotation: Marvin or Ruth Sackner.
Wormwood Review, The. No.98 / Moore T., 1985
Edited by Marvin Malone. This issue is wholly devoted to a collection of poems entitled, "Watching" by Todd Moore. The cover and four pages reproduce handwritten poems from his working notebooks. -- Source of annotation: Marvin or Ruth Sackner.
Worried Noodles (The Empty Sleeve) / Shrigley, David., 2006
The phrase "Ugly Cunts" is painted in an abstract expressionist field on the inside of the folder covers. -- Source of annotation: Marvin or Ruth Sackner.
Wort Abenteuer / Sorgel, Hartmut., 1988
[Wrapping Paper] / Grafiche Tassotti., 2004
The design of this wrapping paper consists of calligraphed letters of various dimensions. -- Source of annotation: Marvin or Ruth Sackner.
wrecking ballzark, th: Different Tenses. No.14 / Peggy lefler., 1980
AntiChrist was first published as logical sequence #3 in Curvd H&Z series 0, No.9. This work is also designated Curvd H&Z No.50. -- Source of annotation: Marvin or Ruth Sackner.
[Writing on eight stave-like lines] / Hatherly, Ana., 1988
The drawing consists of eight lines of handwriting on groups of stave-like lines. -- Source of annotation: Marvin or Ruth Sackner.
Writing Series: Pressures #2 / Kallman, Edith., 1989
Writing Series: Private Musings / Kallman, Edith., 1989
This drawing is a 4 x 2 grid that provides a "sampler" of Kallman's calligraphic and visual styles. The single phrase of the title is used exclusively in all the panels. -- Source of annotation: Marvin or Ruth Sackner.
[x)...] / Caruso, Luciano., 1990
The drawing on the left side of the folio is collaged to the paper; the drawing on the right side has been done directly on the paper of the folio. -- Source of annotation: Marvin or Ruth Sackner.
[xeoxox x2] / Houedard, Dom Sylvester., 1968
Xerolage: Assassin. No.37 / Andrew Topel., 2005
Each page reproduces a single concrete poem. The Sackner Archive also holds the manuscript for this work which has 40 pages of poems. Twenty-six poems were used for this issue. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Rumble Strips. No.25 / Marilyn R. Rosenberg., 1995
Xerox Mother Fucker, 1985
Xibalba 5 Houses / Jack A. Hirschman., 1990
Contains hieroglyphics relating to the Mayan underground. -- Source of annotation: Marvin or Ruth Sackner.