Calligraphic text
Found in 2970 Collections and/or Records:
Autobiographical Portrait, 1980
Autoportrait / Lemaitre, Maurice., 1964
Autorotratto / Pavanello, Giancarlo., 1993
Autumn of Memory / Melnikov-Starquist, Willi., 1997
This is a letter addressed to Donna Summer. Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.
Autumn / Skaggs, Steven., 1983
Aux Hommes, 1969
This is a preparatory study for a poster announcing the first festival at Ingatestone, England that was published by South Street Publications in 1969. -- Source of annotation: Marvin or Ruth Sackner.
Avant Two / Strangulensis, Ficus., 2002
Although Ficus Strangulensis' transmorfactions appear to be handwritten, they are created with a computer. This image was created for the Avant Garde Two symposium and exhibition held at Ohio State University (2002). The Sackners attended and Marvin Sackner delivered the keynote speech. -- Source of annotation: Marvin or Ruth Sackner.
Avant Two Symposium Presentation / Strangulensis, Ficus., 2002
These photocopied loose sheets were taken from a slide presentation given by Strangulensis at the Avant Garde Two symposium and exhibition held at Ohio State University (2002). The images are divide into 1) Cutups - visual poems with texts cut from magazines or books placed on varied visual backgrounds, 2) Haiku Cutups - visual poems with text cut from magazines or books to form a Haiku which in turn are placed on visual backgrounds, 3) Blends - transmorfations, 4) Spirography Blend - transmorfations created with spirography, 5) Collage Poems - concrete and visual poems created from found texts, 6) Spoliations -deliberate document destruction, i.e., poems created by ripping a page, and 7) Word Construct - concrete poem in which the arrangement of the words and the words themselves suggest another word. -- Source of annotation: Marvin or Ruth Sackner.
Avec l'Oeil du Savoir / Lalou, Frank., 1988
Aventyr i Riemannrummet, 1966
Ayer's Sarsaparilla / Anonymous., 1940
This booklet is an advertising vehicle for quack remedies which attribute their virtues to Sarsaparilla root. The latter, according to the text, gave Rameses, a Pharaoh of Egypt, his great strength. -- Source of annotation: Marvin or Ruth Sackner.
Babilonia / Arbizzani L ; Baroni V ; Ermini F ; Gualtieri M ; Minarelli E ; Miccini E ; Pachetti M ; Perfetti M ; Xerra W., 1981
Bad Breath Babble / Baroni, Vittore., 1991
Commissioned for "The Beauty in Breathing" exhibition. The center image of each assemblage depicts a standing man, viz., a silhouette with mint candies collaged over upside-down black lungs, a 3-dimensional model of clear, hollow plastic filled with c butts and mints, and a red plastic model with a hole in the chest for the heart surrounded by black pigment. Calligraphic and letraset messages along with related objects and images reinforce the antisocial and antihealth habit of smoking. -- Source of annotation: Marvin or Ruth Sackner.
Bad / curry, jw; Laba, Mark., 1984
This is an unpublished experimental calligraphic text for the poem, Bad, Coma Goats #40, 1984. -- Source of annotation: Marvin or Ruth Sackner.
Baffling Means, 1991
One thousand, five hundred, soft cover unsigned copies of this book were also issued. It includes 41 black and white reproductions of drawings by Guston. -- Source of annotation: Marvin or Ruth Sackner.
[Baja + U] / Houedard, Dom Sylvester., 1972
Bamboo / Hasekura, Takako., 1997
The drawing, written in green and yellow inks, depicts five thick vertical bars, filled with Japanese ideograms, shaped like bamboo shoot . It is labeled "Bamboo by Japanese Alphabet." -- Source of annotation: Marvin or Ruth Sackner.
Bambu Drezi Book Three: Drawings / Berry, Jake., 2002 - 2004
Bambu Drezi Book Three: Initial Notes and Sketches / Berry, Jake., 2000
Bank Manager / Phillips, Tom., 1997
This print, which depicts a portrait overlaid by calligraphic poetic text, was reproduced from a drawing by Phillips in conjunction with the Dual Muse exhibition held at the Washington University Art Museum in November 1997. The Sackner Archive lent several works to this exhibition and also attended a symposium which took place there. -- Source of annotation: Marvin or Ruth Sackner.