Calligraphic text
Found in 2990 Collections and/or Records:
Calligraphy Review. No.2., 1984
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.2/Win / Moore S., 1993
Calligraphy Review. No.2/Win / Moore S ; Leavitt N ; Johnston A ; Wolf A ; Bright B ; Smith WJ., 1992
Includes review of Anna Wolf's exhibition, "Letter Works" by Elizabeth Gand who writes the works "investigated distinct ways of using, looking at and understanding letters." Also contains essays on Japanese and Celtic calligraphy. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.2/Win / Wolf A ; Avrin L ; Sdun D ; Ingmire T ; Moss D., 1989
Contains article on book jacket design by Irving Bogan and exhibition review of "A Sign and a Witness 2000 Years of Hebrew Books and Illuminated Manuscripts," by Leila Arvin. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.3., 1984
Calligraphy Review. No.4., 1984
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.4 / Shilling P ; Ingmire T ; Hechle A ; Larcher J., 1985
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.4/Sum., 1990
Contains exhibition review of "The Jeweler's Eye: Islamic Arts of the Book from the Vever Collection." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.4/Sum., 1991
Lynn Heller's essay, "The Rothschilds Reunited," traces the history of the "Miscellany" (Italy - 15th century) from the Rothschild Collection in France to its confiscation by the Nazis to New York and finally to the Israel National Museum. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.4/Sum / Thompson M., 1992
An essay by Rebecca Banyas "Motion in Harmony: Margot Thompson's Visual Rounds" analyzes the work of an artist represented in the Sackner Archive. A feature article "The Great Book of Ireland" describes the making of a contemporary one of a kind manuscript book containing original works by 200 visual artists, poets and musical composers. The asking price is 1.2 million Irish Pounds! -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Series (2) Using Japanese Letters / Hasekura, Takako., 1998
This is a representative sample of reproduced works from the series provided to the Sackners for purchase considerations. The Sackner Archive acquired two original works from this series, "A Big Nest" and "Bamboo." -- Source of annotation: Marvin or Ruth Sackner.
calligraphy series: lonely nessy / Hasekura, Takako., 1997
The drawing, written in blue, green and red inks, repeats the text, loneliness/nessy/yell, in a horizontal, rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.
calligraphy series: tapestry / Hasekura, Takako., 1997
The drawing, written in blue, green and red inks repeats the text, egoism/mine, in a vertical, rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy (Turk Vakif), 1985
The exhibition included calligraphic works from classical Arabic periods to contemporary times. -- Source of annotation: Marvin or Ruth Sackner.
Calme bloc / DuPont, Albert., 1997
This portrait of Stephan Mallarme is composed of abstract forms. The background contains the title in handwritten text. -- Source of annotation: Marvin or Ruth Sackner.
Cammini/Inversioni / Miglietta, Enzo., 1992
This drawing composed with black and red inks on blue paper has a quasi-Moire effect when viewed from a distance. -- Source of annotation: Marvin or Ruth Sackner.