Cancelled text
Found in 315 Collections and/or Records:
Arte Araujo No.138 / De Araujo, Avelino., 1980
This piece was submitted to Intermedia magazine, San Francisco for publication. The typed page of this collage deals with the passing a course in Medicine of someone with the first name of Avelino and an illegible crossed out second name with Araujo written above. -- Source of annotation: Marvin or Ruth Sackner.
As the Story Was Told / Beckett, Samuel., 1987
Attention SPAM / Zelevansky, Paul; Ronell A; Calvino I., 1997
The primary focus of this essay is the forms of reading proposed by contemporary, commercial magazines and books, with consideration of related concepts in pop music and electronic media. It raises the question of what it means to read and interpret when the parameters of visual and verbal signs and contexts are transient and mutable. Zelevansky asks "what does scanning, sampling, hypermedia, etc. mean for the creators and consumers of books destined for the new electronic superstore? The future of the book form is entwined with the future of reading." -- Source of annotation: Marvin or Ruth Sackner.
Be True: An Altered Book / Goldstein, Gary., 1991
The original volume is a Lutheran Church text. It was altered by Goldstein mostly by covering the text of each page with visual images. -- Source of annotation: Marvin or Ruth Sackner.
Bibliodoppler / Jaeger, Peter., 1999
Bielefelder Colloquium Neue Poesie, 3.: runta. / Reinhard Priessnitz., 1980
Blissful Times / Alland, Sandra., 2007
Botanica / Gorman, LeRoy., 1999
Brache di Gutenberg, Le: Cronaca: No Words (Deluxe Edition). No.31 / Irma Blank., 1994
The text is "Everybody's Autobiography" by Gertrude Stein. Each facing page is replicated in cancelled, abstract calligraphic markings by Blank. An original cancelled drawing is included of page 153. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Cronaca: Tabulae/Omaggio A Cangiullo. No.20 / Luciano Caruso., 1984
Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.
Bruchstuck 16 / Wagner, Dieter., 1983
In this book, Wagner cancelled most of the text from Goya's Suite 19 of "The Disasters of War." -- Source of annotation: Marvin or Ruth Sackner.
Buch Seitages, 1993
The theme of this issue deals with pages of a book. -- Source of annotation: Marvin or Ruth Sackner.
Cancellature / Isgro, Emilio., 2011
Catalogue of Books 1957-1975 / Broodthaers, Marcel., 1982
The Sackner Archive holds Broodthaers' "Un Coup De Des Jamais N'Abolire Le Hasard (Image)" and "Charles Baudelaire: Je Hais Le Mouvement Qui Deplace Les Lignes," reproduced in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.
cells / Stetser, Carol ; Topel, Andrew., 2010
Censored Texts / Bergland, Brita., 1972
C'est mon dada: Poemes Express. No.14/Nov / Lucien Suel., 2007
This book depicts poems formed by striking out lines from a printed text, one to each page. -- Source of annotation: Marvin or Ruth Sackner.
Clearcut / Lopez, Sandra; Sackner RK; Sackner MA., 1994
A Psalm of David is presented in conventional fashion on the first page and presented on the third page with several words in each line cut out of the text. -- Source of annotation: Marvin or Ruth Sackner.
Col-umns / Cross, Doris., 1982
Cross reworked dictionary columns "leaving found words precisely where they exist in the columns of Webster's Secondary School Dictionary, 1913 edition. The found words then comprise the statement. Words as objects, textures, movements, spaces, sounds: words supporting words, even as a column is built of mortar and stones." The appearance of Cross' work is reminiscent of Tom Phillips' A Humument. -- Source of annotation: Marvin or Ruth Sackner.