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 Subject
Subject Source: Sackner Database

Found in 252 Collections and/or Records:

Burnt Book / Katz, Leandro., 1992

 Item
Identifier: CC-07953-8107
Scope and Contents Reproductions of representative pages of an artist book by Katz. Burnt Book is dedicated to the memory of the uncountable codices burned by Friar Diego de Landa, in Mani, Yucatán in June 1562, as part of a series of autos-da-fé carried out under his orders. In Account of the Affairs of Yucatán, a document written in part as a brief to defend himself before the Council of Indies, de Landa recounts: "These people [the Maya] also used certain glyphs or letters in which they wrote down their ancient history and sciences in their books; and by means of these letters and figures and by certain marks contained in them, they could read about their affairs and taught others to read about them too. We found a great number of these books in Indian characters and because they contained nothing but superstition and the Devil's falsehoods, we burned them all; and this they felt most bitterly and it caused them great grief." Burnt Book, made five hundred years after the first voyage of Columbus...
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Calligrafia, 1983

 Item — Folder 56: [Barcode: 31858072537909]
Identifier: CC-21845-22256
Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

[Calligraphic T-Shirt] / Marcello Diotallevi., 1984

 Item
Identifier: CC-15711-16040
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

[Calligraphic T-Shirt] / Marcello Diotallevi., 1984

 Item
Identifier: CC-15711-16040
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Camel 2 , 1999

 Item — Box 320: [Barcode: 31858072490851]
Identifier: CC-58017-10001273
Scope and Contents

The image contains a collaged bulls-eye board with colored pyramids on each side.This work was exhibited in one of pete spence's corrrespondence art shows. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

Canal Game / Finlay, Ian Hamilton., 1967

 Item
Identifier: CC-11698-11916
Scope and Contents

The pages have been cut horizontally into three equal portions. Each cut segment has a word or phrase printed red, purple or green that relates to sights and sounds apparent from being on or near a canal. These cut segments can be arranged by the reader by placement from different pages to form a variety of poems.Stored in portfolio box with original drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Canal Game / Finlay, Ian Hamilton., 1967

 Item
Identifier: CC-11699-11917
Scope and Contents

The pages have been cut horizontally into three equal portions. Each cut segment has a word or phrase printed in red, purple or green that relates to sights and sounds from being on or near a canal. These cut segments can be arranged by the reader by placement from different pages to form a variety of poems.Stored in portfolio box with original drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Carnival: The First Panel 1967-1970, 1973

 Item
Identifier: CC-38158-40052
Scope and Contents The card is an instruction sheet for assembling the panel from pages in the book; the loose sheet is an errata sheet.In the introduction to Carnival Panel Two, McCaffery comments on Panel One. "Carnival is planned as a multi-panel language environment, constructed largely on the typewriter and designed ultimately to put the reader, as perceptual participant, within the center of his language.The roots of Carnival go beyond concretism (specifically that particular branch of concrete poetry termed the `typestract' or abstract typewriter art) to labyrinth and mandala, and all related archetypal forms that emphasize the use of the visual qualities in language to defend a sacred centre. Pond's vorticism also forms part of the grid of influences, and on one level at least, Carnival can be seen as an attempt to abstract, concretize and expand Pound's concept of the image as the circular pull of an intellectual and emotional energy. Above all it is a structure of strategic...
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Carnival: The First Panel 1967-1970 / McCaffery, Steve., 1973

 Item
Identifier: CC-38154-40048
Scope and Contents The card is an instruction sheet for assembling the panel from pages in the book; the loose sheet is an errata sheet.In the introduction to Carnival Panel Two, McCaffery comments on Panel One. "Carnival is planned as a multi-panel language environment, constructed largely on the typewriter and designed ultimately to put the reader, as perceptual participant, within the center of his language.The roots of Carnival go beyond concretism (specifically that particular branch of concrete poetry termed the `typestract' or abstract typewriter art) to labyrinth and mandala, and all related archetypal forms that emphasize the use of the visual qualities in language to defend a sacred centre. Pond's vorticism also forms part of the grid of influences, and on one level at least, Carnival can be seen as an attempt to abstract, concretize and expand Pound's concept of the image as the circular pull of an intellectual and emotional energy. Above all it is a structure of strategic...
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Charmed / Risseeuw, John L.., 1998

 Item
Identifier: CC-31381-32866
Scope and Contents

A man's profile is subtlely impressed by blind scoring on the right side of the print. The layered text is printed in various fonts, sized and colors and reads "meet the new boss same as the old boss" and "The up sid's down, the black shirt's brown, same old rig-a-doo!" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Christmas / Holiday Broadside: An Arabesk for Frederick Delius at the Year's End. No.3 / John Furnival ; Jonathan Williams., 1981

 Item
Identifier: CC-12230-12454
Scope and Contents

This is a Christmas broadside from The University Libraries with drawing by Furnival and poetry by Williams. The title of this series was later changed to Holiday Broadside. The edition consists of 50 numbered and signed copies. The Sackner copy is signed but unnumbered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Christmas / Kurtz, Carl E.., 1997

 Item
Identifier: CC-41346-43329
Scope and Contents

The word Christmas is written in large, varied colored paint as overlays on brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Clowning For Yellow / Lax, Robert., 1984

 Item
Identifier: CC-32263-33824
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Colection Abecedaires, 2012

 Item
Identifier: CC-55938-9999405
Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / BOOKS

Compoezie / Monach, Greta., 1973

 Item
Identifier: CC-06322-6439
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Concrete Poems / Cook, Stanley., 1984

 Item
Identifier: CC-18534-18906
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Congratulations / Garvin, Dennis., 1979

 Item
Identifier: CC-41523-43513
Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Conscientious Objector: Armpit Clutch / Castoro, Rosemarie., 1997

 Item
Identifier: CC-29191-30539
Scope and Contents This print reproduces a page from a multiple page poem written on graph paper. The work was composed by Castoro in 1969. Castoro was the first wife of Carl Andre who also used Castro as her last name. Broadway 1602 Gallery: Rosemarie Castoro (1939-)was a central protagonist among of the New York Minimalists and one of the few highly recognized female painters in this milieu. In the early 1960s Castoro found her initial inspiration in modern dance. She collaborated with Minimal Dance pioneer Yvonne Rainer and at Pratt Institute she got intensely involved with choreography. "When I danced I leapt through the air and continued to remain up there"¦I felt a self-propelled air- stretch. It was a way to leave this earth, to bring coherence to reality, to find a path again, to deeper the grooves and push the forest of the half blind." This highly evolved early practice served Castoro to explore three-dimensional space. By 1964 she decided to channel her central aesthetic concerns focusing...
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Conscientious Objector: Self Secret Gangster / Castoro, Rosemarie., 1997

 Item
Identifier: CC-29192-30540
Scope and Contents

This print reproduces a page from a multiple page poem written on graph paper. The work was composed by Castoro in 1969. Castoro was the first wife of Carl Andre who also used Castro as her last name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Cow] / Cavellini, Guglielmo Achille., 1984

 Item
Identifier: CC-16828-17184
Scope and Contents

Exhibited in Visualog 2. For the names of various beef cuts of the cow, Cavellini has substituted names of artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

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