Computer art
Found in 143 Collections and/or Records:
5 & 10 Cents: You Have New Mail. No.1 / Roberto Cabot., 2000
100 Allegories to Represent the World / Greenaway, Peter ; Fludd R., 1998
A Post Mortem Meeting of the New York Correspondence School / Baroni, Vittore; Johnson R., 2000
After Babel / Alpha Beta / Reichek, Elaine; Borges J., 2004
Elaine Reichek transposes classical paintings into embroidered works. She first scans the reproductions of the paintings and runs the scans through software that maps them as coded embroidery charts. Of primary interest in this small portfolio is "The Tower of Babel" embroidered on linen after a painting by Pieter Bruegel. Also featured are embroideries based on the works of Samuel Morse, painter and inventor of the telegraph and the Morse code. -- Source of annotation: Marvin or Ruth Sackner.
Applianoidal Grphcus Birthday Elaps / Miskowski, Mike., 1989
Artbyte: The Next Generation. No.2 / Blake W., 1999
Contains essays surveying schools of digital media education. Matthew Kirschenbaum contributes an essay on the William Blake digital archive at the University of Virginia. -- Source of annotation: Marvin or Ruth Sackner.
Artbyte: What the Future Looks Like: Anniversary Issue. No.1 / Goldberg RL., 1999
Contains essays covering innovations in digital art including artistic and cultural areas. This issue concentrates on the future of graphic and industrial design. -- Source of annotation: Marvin or Ruth Sackner.
Arte Suporte Computador / DeCampos A ; Kac E ; Silveira W ; DeCampos H ; Pignatari D ; Antunes A ; Leirner B ; Leirner J ; Burroughs WS., 1997
This catalogue of a virtual museum consists of three books bound into one. The first is a manifesto and history of the launching of Casa das Rosas written by Jose Roberto Aguilar. The second section is the catalogue Arte Suporte Computador (Computer aas a Support for Aaart) including web art, Clip-Poemas Digitais by Augusto de Campos, High Voltage Harp by Barry Schwartz and several web site exhibitions. -- Source of annotation: Marvin or Ruth Sackner.
At Last / Fencott, P.C.., 1985
Fencott uses dense abstract computer generated forms as the ideograms. -- Source of annotation: Marvin or Ruth Sackner.
Automaterga Series II: 81-10, 81-11, 81-19, 82-1 / Monach, Greta., 1981 - 1982
These poems are computer generated. -- Source of annotation: Marvin or Ruth Sackner.
[Basta!], 1994
A ghost-like, computer manipulated, red colored photograph of a woman is in the center of a border of handwritten phrases e.g., insoportable pesar (insupportable sorrow), un verdadero silencio se impone (a veritable silence asserts itself), suicidio (suicide). The handwritten phrases around the border were printed with computer generated typefaces. -- Source of annotation: Marvin or Ruth Sackner.
Bentlow Stairs / Cunnius, Ed; Kinsella, Elnor; Kirchman, Susan; Stacell, Alan., 1992
This provides selected images from a hypertext production shown at a symposium on reading held at the Getty and attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.