Concrete poetry
Found in 60 Collections and/or Records:
A Spaceman Has Entered the Moon / Adler, Jeremy., 1969
[Alphabet Drawing] / Adler, Jeremy., 1969
Alphabet Music , 1972
Bill Griffiths silkscreened the prints.The loose sheet provides directions for reading the poem. -- Source of annotation: Marvin or Ruth Sackner.
And all is dead - And nothing moves, 1968
In a personal communication to the Sackners, Adler commented that the poem in this drawing (last two lines) was based upon his first accomplished poem (Live to Circle). -- Source of annotation: Marvin or Ruth Sackner.
At Sunrise / Adler, Jeremy., 1968
This poem was composed with the same layout as the one with the same title but with "Chinese-like lettering" in conventional hand printing. -- Source of annotation: Marvin or Ruth Sackner.
At Sunrise (Chinese-like lettering), 1968
In a personal communication to the Sackners, Adler commented that this poem-drawing was an attempt at a new visual alphabet equivalent to Chinese lettering. -- Source of annotation: Marvin or Ruth Sackner.
Bielefelder Colloquium Neue Poesie, Fifth / Adler J ; Gappmayr H ; Garnier I ; Garnier P ; Gerz J ; Gomringer E ; Greenham L ; Jandl E ; Kriwet F ; Mayrocker F ; Mon F ; Ruhm G ; Schauffelen KB ; Schuldt ; Ulrichs T ; Wolf R ; Cobbing B ; Schmidt SJ ; Backer H ; Bauer J ; Bezzel C ; Czernin F ; Erlhoff M ; Geerken H ; Grogerova B ; Hell B ; Hirsal J ; Jappe E ; Pastior O ; Priessnitz R ; Ramm K ; Schuldt ; Ujvary L ; Wiener O ; Brandes U., 1982
This catalogue is subtitled "in Athen" owing to the location of the event. -- Source of annotation: Marvin or Ruth Sackner.
Color Tarot / Adler, Jeremy., 1975
Printed by Bill Griffiths. -- Source of annotation: Marvin or Ruth Sackner.
Concrete and Visual Poetry / Cobbing, Bob, editor ; Claire, Paula, editor ; Adler J ; bissett b ; Copithorne J ; Claire P ; Arnold D ; Broudy H ; Furnival J ; Phillips T ; Cobbing B ; Houedard DS ; Gysin B ; Morgan E ; Mayer P ; Nichol bp ; Helmes S ; Schafer RM ; Finch P ; Gibbs M ; Nuttall J ; Mills N ; Crozier R ; Burke H ; Cage J ; Farrell P ; Kerouac J ; Kalman E ; McCaffery S ; Radin B ; Sellars D ; O'Sullivan M ; Oshel D ; Ward JP ; Rushmer D ; Riddell A ; Schneider L ; Schafer RM ; Suknaski A ; Whyte J., 1990
The prints making up this catalogue were those that were displayed as the exhibition. They were reproduced from prior publications. Several originals by Dom Sylvester Houedard, Peter Mayer, Jeff Nuttall, and Tom Phillips from this exhibition are held by the Sackner Archive. There was no bound catalogue published on this exhibition. Therefore, the totality of this catalogue is unique. The work is an excellent reference for the examples of concrete and poetry done in the 60's and 70's. Edith Kalman did three micrographic calligraphic prints that have been scanned into this citation. The pamphlet lists the location of the works displayed. The prints comprising the exhibition are stored in their own box withing the cobbing matrial. -- Source of annotation: Marvin or Ruth Sackner.
Concrete Poetry / William Fox, curator ; Kostelanetz R ; Ockerse T ; Adler J ; Higgins D ; Mayer P ; Bennett JM ; Federman R ; Finlay IH ; Houedard DS ; Lax R ; Solt ME ; Williams E ; Cory JJ ; Marcus A ; Sky A ; Pi O., 1977
Dancing Letters / Adler, Jeremy., 1986
Fairly Automatic Rhymes / Adler, Jeremy., 1986
The lettering appearance of the poem is reminiscent of some of the calligraphic pieces by Jan Baker. -- Source of annotation: Marvin or Ruth Sackner.
Festival Internacional de Poesia Viva, 1st / Fernando Aguiar ; Adler J ; Aguiar F ; Arias-Misson A ; Baroni V ; Bennett JM ; Blaine J ; Bory JF ; Cobbing B ; Cohen R ; curry jw ; Dencker KP ; Groh K ; Hatherly A ; Kempton K ; Kostelanetz R ; Olbrich JO ; Rosenberg MR--Sabatier R ; Was E ; Almeida M ; And M ; Aragao A ; deAraujo A ; Baik KN ; Balthaus F ; DelBarco P ; Bentivoglio M ; Berg N ; Bogdanovic N ; Atelier Bonova ; Borillo M ; Branco J ; Bruscky P ; Canals X ; deMelo e Castro EM ; Cavallo G ; Claire P ; Crozier R ; Cuomo R ; Albrecht d ; Daligand D ; Dana L ; Dana L ; Dreyfus C ; Dudek-Durer A ; Espinosa C ; Ferrando B ; Fontana G ; Galantai G ; Gappmayr H ; Gomez A ; Gualtieri M ; Heidsieck B ; Higgins D ; Hill C ; Iglesias JM ; Supek J ; Jesch B ; Jackson S ; DeJonge K ; Kamperelic D ; Keppler J ; Klivar M ; Knizak M ; deKroon H ; Lora-Totino A ; Madson J ; Maggi R ; Malen T ; Marques JA ; Marx GG ; Medeiros J ; Mercer T ; Miccini E ; Minarelli E ; Montels B ; Murphy P ; Nannucci M ; Nelos A ; Nicod J ; Nielsen MO ; Ocharan L ; Ori L ; Orlan ; Padin C ; Papp T ; Perfetti M ; Petasz P ; Pignatari D ; Pimenta A ; Pittore-Eurifico C ; Polkinhorn H ; Rabascall J ; Rudolph P ; Rypson P ; DeSa A ; DeSa N ; Santos AJ ; Sevcik P ; Strada G ; Todorovic M ; Valles J ; Valoch J ; Verdi F ; Vigo EA ; Vigo T ; DeVree P ; Xerra W ; Yamamoto T ; Zink R ; Bleus G ; Sarenco., 1987
The festival was organized by Fernando Aguiar "to present, for the first time in Portugal, recent words by a group of the most significant international avant-garde poets..to provide a widened vision of...poetry with experimental features." Essays on Visual, Concrete and Performance Poetry and Mail Art were contributed by De Melo e Castro, Aguiar, Bory, Heidsieck, Arias-Misson, Ferrando, Hatherly, Higgins, Kac, Olbrich, de Kroon, Miccini, Pimenta & Zink. 177 small mags and documents related to the theme are listed in the final section of this catalogue. The pages of this book have become unbound from the spine. -- Source of annotation: Marvin or Ruth Sackner.
From "The Pythagorean Sonnet" / Adler, Jeremy., 1971
[i's] / Adler, Jeremy., 1975
The drawing depicts solely the letter 'i' with different shadings. -- Source of annotation: Marvin or Ruth Sackner.