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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 50 Collections and/or Records:

Bilder werden Worte / Faust, Wolfgang Max ; Gomringer E ; Kolar J ; Reutersward CF ; Ben ; Barry R ; Mallarme S ; Jacob M ; Apollinaire G ; Carra C ; Duchamp M ; Picabia F ; Holzer J., 1987

 Item
Identifier: CC-11269-11484
Scope and Contents

This is a revision of a book published in 1977 which surveys 20th century art history with accentuation of works with visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Book Design in Prague 1960-1990 / Apollinaire G ; Putik J., 1992

 Item
Identifier: CC-23584-24029
Scope and Contents

The typographical designs of the contemporary Czech artists featured in this exhibition were outstanding. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Books Do Furnish a Room / Granary Books ; Apollinaire G ; Ashbery J ; Barry R ; Beube D ; Beuys J ; Bevis J ; Boetti A ; Boltanski C ; Buren D ; Boyle M ; Burroughs WS ; deCharmoy C ; Byars JL ; Campbell C ; Carrion U ; Cavellini GA ; Colp N ; Bentivoglio M ; Blaine J ; Bory JF ; Forget C ; Gappmayr H ; Mattes R ; Trawick L ; Cornelissen J ; Corner P ; Crozier R ; Culbert B ; Cutts S ; Denes A ; Douglas H ; Stokes T ; Drescher H ; Dubuffet J ; Dufrene F ; Duncalf S ; Dupuy J ; Ehrenberg F ; Ely T ; Ernst M ; Filliou R ; Finlay IH ; Buczak B ; Hansen A ; Hendricks J ; Knowles A ; Maciunas G ; Mekas J ; Ruhe H ; O'Banion N ; Freeman B ; Fulton H ; Gerard J ; Gerz J ; Gomringer E ; Heidsieck B ; Janicot F ; Higgins D ; Hocks P ; Isou I ; Jaar A ; Jess ; Johnson A ; Katz L ; Kiefer A ; King R ; King S ; Kitaj R ; Kitaj R ; Knowles A ; Kolar J ; Kostelanetz R ; Kosuth J ; Lehrer W ; Leiber S ; Levine L ; Yau J ; Lingen R ; Long R ; Lovejoy M ; Mabe J ; Paschall JA ; MacLow J ; Mathews H ; Winkfield T ; McCarney S ; McGough R ; McLean B ; Merz M ; Metzger G ; Mills S ; Miro J ; Mohr M ; Hutchins A ; Nannucci M ; Napora J ; Oldenburg C ; Ono Y ; Paik NJ ; Phillips T ; Pittore-Eurifico C ; Queneau R ; Rauschenberg R ; Roth D ; Rowe W ; Ruhm G ; Ruscha E ; Rutkovsky F ; Sackett C ; Saito T ; Sandlin D ; Smith K ; Snow M ; Spector B ; Spoerri D ; Stokes T ; Gomez M ; Gomez M ; Soll I ; Tremlett D ; Turnbull G ; Christie J ; Tuttle R ; Tyson I ; Tyson M ; Ulrichs T ; VanHorn E ; Ben ; Vostell W ; Waanders H ; Walther F ; Warhol A ; Weiner L ; Willats S ; Williams E ; Williams J ; Winkfield T ; Winkler M ; Wirth K ; Wolbier J ; Zimmerman P., 2003

 Item
Identifier: CC-42135-44137

Concrete Poetry / Bodden, Valerie ; Herbert G ; Apollinaire G ; Gomringer E ; Carroll L ; Ball H ; DeCampos A., 2009

 Item
Identifier: CC-50694-71768
Scope and Contents

Page 15 reproduces a colored calligram by Apollinaire that is held by the Sackner Archive in a limited edition of 10 copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Concrete Poetry / Lucie-Smith, Edward; Apollinaire G; Schwitters K; Garnier P; Finlay IH; Morgan E; Rimbaud A., 1966

 Item
Identifier: CC-35946-37710
Scope and Contents

This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Earthquakes & Explorations: Language and Painting from Cubism to Concrete Poetry / Scobie, Stephen ; Apollinaire G ; Arp H ; Ball H ; Bann S ; Birney E ; Bohn W ; Cage J ; Caruso B ; Cendrars B ; Delaunay S ; Drucker J ; Duchamp M ; Finlay IH ; Gomringer E ; Hausmann R ; Jandl E ; Joyce J ; Kostelanetz R ; Krauss R ; McCaffery S ; Malevich K ; Nichol bp ; Picabia F ; Pignatari D ; Poggi C ; Reverdy P ; Schwitters K ; Shattuck R ; Solt ME ; Stein G ; Steiner W ; Tzara T ; Derrida J ; Herbert G ; Bok C ; Werschler-Henry D ; Khlebnikov V ; bissett b ; Garnier P., 1997

 Item
Identifier: CC-30349-31764
Scope and Contents This book is about how language deals with the non-verbal and about linguistic resposes to painting. Scobie writes that the unity in this book lies "in its relation to a central complex of ideas - the interaction between language and painting: the specific case of Cubism; the extension of Cubism into Concrete Poetry." Scobie provides an excellent background of Cubism's beginnings with emphasis on the roles of Apollinaire and Daniel Kahnwieler, the art dealer. He discusses the placing of fragmented words into Cubist paintings as word-play and puns.In his chapter on concrete poetry, Scobie "attempts to situate the international movement of the 1950's and 1960's within larger cultural tendencies, such as the transition from modernism to post modernism," and he reviews the collaboration between bp Nichol, the Canadian poet and Barbara Caruso, the Canadian artist. In the following chapter, Scobie deals with sound and visual poetry and concludes this section with an analyses of the...
Dates: 1997

Echoes Series: D.H. Lawrences Autumn Rain as G.Apollinaire's Il Pleut / Finlay, Ian Hamilton; Apollinaire G., 1995

 Item
Identifier: CC-12964-13256
Scope and Contents

Finlay laid out D.H. Lawrence's poem, "Autumn Rain" in the style of Apollinaire's Il Pleut. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

La Lettre et l'Image 2nd Ed. / Massin ; Albert-Birot P ; Apollinaire G ; Aragon L ; Arp J ; Artaud A ; Ball H ; Baudelaire C ; Beckett S ; Belloli C ; Bory JF ; Bowler B ; Brau JL ; Breton A ; Bryen C ; Burroughs WS ; Butor M ; Carmi E ; Carra C ; Carroll L ; Cendrars B ; Chopin H ; Claus CF ; Delaunay S ; Desnos R ; Dienst KP ; Dotremont C ; Duchamp M ; Dufrene F ; Ernst M ; Fludd R ; Garnier I ; Garnier P ; Gomringer E ; Grosz G ; Gysin B ; Hains R ; Hausmann R ; Heartfeld J ; Herbert G ; Herrick R ; Hoffmeister A ; Houedard DS ; Hrabanus Maurus ; Huelsenbeck R ; Iliazd ; Ionesco E ; Isou I ; Janco M ; Jarry A ; Joyce J ; Kriwet F ; Leger F ; Lemaitre M ; Mallarme S ; Ray M ; Marinetti FT ; Mayer H ; Michaux H ; Mon F ; Morgenstern C ; Picabia F ; Roth D ; Ruhm G ; Russolo L ; Schwitters K ; Soffici A ; Spacagna J ; Steinberg S ; Queneau R., 1973

 Item
Identifier: CC-38115-40007
Scope and Contents This book is subtitled "La Figuration dans l'alphabet latin du huitieme siecle a nos jours." Raymond Queneau contributed a preface. This is a new and augmented edition with the dust jacket cover by Andre Francois. The anthology, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.On the title page, the caption that this is a new and expanded edition appears; the first edition was published in 1970. The dust jackets differ between the two second editions. -- Source of annotation: Marvin or...
Dates: 1973

La Lettre et l'Image 2nd Ed. / Massin ; Albert-Birot P ; Apollinaire G ; Aragon L ; Arp J ; Artaud A ; Ball H ; Baudelaire C ; Beckett S ; Belloli C ; Bory JF ; Bowler B ; Brau JL ; Breton A ; Bryen C ; Burroughs WS ; Butor M ; Carmi E ; Carra C ; Carroll L ; Cendrars B ; Chopin H ; Claus CF ; Delaunay S ; Desnos R ; Dienst KP ; Dotremont C ; Duchamp M ; Dufrene F ; Ernst M ; Fludd R ; Garnier I ; Garnier P ; Gomringer E ; Grosz G ; Gysin B ; Hains R ; Hausmann R ; Heartfeld J ; Herbert G ; Herrick R ; Hoffmeister A ; Houedard DS ; Hrabanus Maurus ; Huelsenbeck R ; Iliazd ; Ionesco E ; Isou I ; Janco M ; Jarry A ; Joyce J ; Kriwet F ; Leger F ; Lemaitre M ; Mallarme S ; Ray M ; Marinetti FT ; Mayer H ; Michaux H ; Mon F ; Morgenstern C ; Picabia F ; Roth D ; Ruhm G ; Russolo L ; Schwitters K ; Soffici A ; Spacagna J ; Steinberg S ; Queneau R., 1973

 Item
Identifier: CC-38117-40009
Scope and Contents This book is subtitled "La Figuration dans l'alphabet latin du huitieme siecle a nos jours." Raymond Queneau contributed a preface. The dust jacket has an illustration by Folon. The antholgy, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.The dust jacket of this copy is frayed at the top. The caption on the other copy of this book does not indicate that this is a second edition; however, the first edition was published in 1970 not 1973 as in this edition. he dust jackets differ...
Dates: 1973

Letter and Image / Massin ; Caroline Hillier, translator ; Vivienne Menkes, translator ; Albert-Birot P ; Apollinaire G ; Aragon L ; Arp J ; Artaud A ; Ball H ; Baudelaire C ; Beckett S ; Belloli C ; Bory JF ; Bowler B ; Brau JL ; Breton A ; Bryen C ; Burroughs WS ; Butor M ; Carmi E ; Carra C ; Carroll L ; Cendrars B ; Chopin H ; Claus CF ; Delaunay S ; Desnos R ; Dienst KP ; Dotremont C ; Duchamp M ; Dufrene F ; Ernst M ; Fludd R ; Garnier I ; Garnier P ; Gomringer E ; Grosz G ; Gysin B ; Hains R ; Hausmann R ; Heartfeld J ; Herbert G ; Herrick R ; Hoffmeister A ; Houedard DS ; Hrabanus Maurus ; Huelsenbeck R ; Iliazd ; Ionesco E ; Isou I ; Janco M ; Jarry A ; Joyce J ; Kriwet F ; Leger F ; Lemaitre M ; Mallarme S ; Ray M ; Marinetti FT ; Mayer H ; Michaux H ; Mon F ; Morgenstern C ; Picabia F ; Queneau R ; Roth D ; Ruhm G ; Russolo L ; Schwitters K ; Soffici A ; Spacagna J ; Steinberg S., 1970

 Item
Identifier: CC-38116-40008
Scope and Contents

This anthology, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.The English edition of this book has not printed the appendices present in the original French edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970