This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the exhibition catalogue of British and Portuguese concrete poetry and related work held from August to September, 1968. Each book including this one contains an original typing by Cavan McCarthy. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

This poem with consists of repititions of "po po po. Its significance is unclear. -- Source of annotation: Marvin or Ruth Sackner.

Prices of works exhibited are mentioned. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by John Furnival and Dom Sylvester Houedard. The latter wrote an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." Houedard has drawn three designs for the mongram IHF in the lower left corner. This page appears to be the second page ot a typewrite rpoem with the saame title and identified by RKS & MAS as 2.3. It is signed luv silvester formed by an assay of dense, typed dashes. This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Three typed blocks of letters are typed to using the letters a-h-m-l-t-n-f-n-l-y and i-a-a-i-e-i-a.The verso has the phrase work sleeves written in graphite and nicholas & Fiona [Logsdale] written in green ink. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

Houedard has included two reconstructed abc-rhymes and a new one -" u k rhyming scheme." His letter refers to several early Christian poets writingn in Latin in appoximatley 200 to 600AD. HOuedard writes that Venantius Fortunatus " got there before later people did" in composing and being a foreruner of poster poems. This material deals with his contribution to Cobbing and Mayer's book, 'Concerning Concrete Poetry', with specific respect to chronology. -- Source of annotation: Marvin or Ruth Sackner.

First printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.

Second printing. Bory's introduction traces the history of the concrete poetry movement and its aesthetic. -- Source of annotation: Marvin or Ruth Sackner.