Scope and Contents

This catalogue is subtitled "in Athen" owing to the location of the event. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Several poems, one printed to each page, mingle punctuation marks such as parentheses, exlamation points, and slashes with letters. Garnier later published other books with same title that included additional material to these poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Several poems, one printed to each page, mingle punctuation marks such as parentheses, exlamation points, and slashes with letters. Garnier later published other books with same title that included additional material to these poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was first published in German in 1965. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition featured concrete poems with fragmented text. It included one visual poem by Toshihiko Schimuzu. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Stored with two other Niikuni photographs as a card set. Wikipedia: Seiichi Niikuni (新国誠一 Niikuni Seiichi, December 7, 1925 "“ August 23, 1977) was a Japanese poet and painter. He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry. He is recognized as one of the most important poets of recent times in Japanese and German textbooks. In 1964, Niikuni participated in the E. E. Cummings study group held in Yukinobu Kagiya's house, and met Yasuo Fujitomi while there.[6] On June 4, he established an association called the Association of Study of Arts or ASA (芸術研究協会 Geijutsu KenkyÅ« Kyōkai) with Fujitomi with the objective of exploring and experimenting with concrete poetry. They published a namesake magazine ASA and in it introduced both Japanese and foreign concrete poetry, and also translated poems by Haroldo de Campos into Japanese. Fujitomi would also introduce the...

Scope and Contents

The poems consist of varied arrangements of the letter "i." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes several statements concerning visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of 18 poems, typeset one each to a pamphlet which consists of a folded sheet of heavy paper with the title on the cover and the poem on its inner page. The poems are minimal with the title often being longer than tthe poem. The poems were selected from the Bloknoot edition of the photocopied poems of the typewritten originals. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. Water damage is present on the top of the poster but the image is intact. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book which was first published in 1972 consists of a panel discussion on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Book was dedicated to Seiichi Niikuni, the foremost Japanese concrete poet. It consists of classic, minimalistic, concrete poems -- Source of annotation: Marvin or Ruth Sackner.