Concrete poetry
Subject
Subject Source: Sackner Database
Found in 3 Collections and/or Records:
3eme Manifeste du Spatialisme: Pour une Poesie Supranationale / Niikuni, Seiichi; Garnier, Pierre., 1965
Item
Identifier: CC-05522-5628
[from "Poemes franco-japonais" (1966)] / Niikuni, Seiichi; Garnier, Pierre., 1972
Item
Identifier: CC-49168-70208
Scope and Contents
Stored with two other Niikuni photographs as a card set. Wikipedia: Seiichi Niikuni (æ–°å›½èª ä¸€ Niikuni Seiichi, December 7, 1925 "“ August 23, 1977) was a Japanese poet and painter. He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry. He is recognized as one of the most important poets of recent times in Japanese and German textbooks. In 1964, Niikuni participated in the E. E. Cummings study group held in Yukinobu Kagiya's house, and met Yasuo Fujitomi while there.[6] On June 4, he established an association called the Association of Study of Arts or ASA (èŠ¸è¡“ç ”ç©¶å”会 Geijutsu KenkyÅ« KyÅkai) with Fujitomi with the objective of exploring and experimenting with concrete poetry. They published a namesake magazine ASA and in it introduced both Japanese and foreign concrete poetry, and also translated poems by Haroldo de Campos into Japanese. Fujitomi would also introduce the...
Dates:
1972
klankteksten ?konkrete poezie visuele teksten Exhibition: voile 1967. No.76bb / Pierre Garnier ; Seiichi Niikini., 1970
Item
Identifier: CC-38254-40150
Scope and Contents
This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. Water damage is present on the top of the poster but the image is intact. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1970