This card is stored in LeRoy Gorman box. -- Source of annotation: Marvin or Ruth Sackner.

Gorman lucidly interpretes several concrete poems in a comparison to Haiku poetry. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Leroy Gorman, this periodical contains poems written by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Edited by LeRoy Gorman, this periodical contains poems by grade school students. The theme of this issue is Sherlock Holmes. -- Source of annotation: Marvin or Ruth Sackner.

Gorman renders Basho's Frog Pond Plop into a more visual presentation. -- Source of annotation: Marvin or Ruth Sackner.

Greg Evason made cover drawing. -- Source of annotation: Marvin or Ruth Sackner.

Also designated as the first title in the Hexagram Series, edited by Marco Fraticelli. -- Source of annotation: Marvin or Ruth Sackner.

One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.