Concrete poetry
Found in 19 Collections and/or Records:
5 Visual Poems / Gallo, Philip, editor; Helmes S; Kempton K; Finlay IH; Williams J., 1986
Art Contemporain 10-5155-20: Verbe et image: poesie visuelle. No.5 / Dick Higgins, Karl Kempton, editors ; Dencker KP ; deAraujo A ; Broudy H ; Bruscky P ; Buchwalder E ; Cross D ; curry jw ; Egyedi B ; Essary L ; Fontana G ; Helmes S ; Higgins D ; Mukai S ; Petasz P ; Wolf-Rehfeldt R ; Yamanaka R ; Yoshizawa S ; Zelevansky P., 1983
This issue depicts superb examples of visual and concrete poems drawn from around the world. -- Source of annotation: Marvin or Ruth Sackner.
Festival Internacional de Poesia Viva, First (Second Presentation) / Fernando Aguiar, curator ; Vigo EA ; Higgins D ; Kempton K ; Blaine J ; Heidsieck B ; Papp T ; Bentivoglio M ; Nannucci M ; Xerra W ; Ori L ; Lora-Totino A ; Maggi R ; Adler J ; Claire P ; Aguiar F ; Aragao A ; Hatherly A ; Pimenta A ; Olbrich JO ; Groh K., 1988
Second presentation of the First International Festival of Live Poetry (first exhibition catalogue is also held by the Sackner Archive). This exhibition included selected originals and photographs from the first exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Festival Internacional de Poesia Viva, First (Second Presentation) / Fernando Aguiar, curator ; Vigo EA ; Higgins D ; Kempton K ; Blaine J ; Heidsieck B ; Papp T ; Bentivoglio M ; Nannucci M ; Xerra W ; Ori L ; Lora-Totino A ; Maggi R ; Adler J ; Claire P ; Aguiar F ; Aragao A ; Hatherly A ; Pimenta A ; Olbrich JO ; Groh K., 1988
Second presentation of the First International Festival Of Live Poetry (first presentation also held by Sackner Archive) held one year after the initial exhibition. This exhibition included selected originals and photographs of the first exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Fission / Kempton, Karl ; Grumman B ; cummings ee ; Patchen K ; Huth G., 1988
Bob Grumman wrote the introduction in which he comments on the form of Kempton's poems whereby a word is split into two or more words by intervening spaces. He mentions that G. Huth designated this form as a severlation. These poems are printed one to a page, e.g., artifact = art if act, justice = just ice, herring = her ring, netherlands = net her lands, etc. -- Source of annotation: Marvin or Ruth Sackner.
Kaldron: First International Visual Poetry Issue. No.8 / Karl Kempton, David Arnold, editors ; Cross D ; Wolf-Rehfeldt R ; Proust R ; Bell M ; Lora-Totino A ; Buchwalder E ; Dencker KP ; Porter B ; Marcus A ; Gaglione B ; Dantas CH ; Silva F ; Bruscky P ; Petasz P ; Kempton K ; Essary L ; Helmes S ; Zarate A ; Patchen K., 1979
Most of the visual poems in this issue were exhibited at VISUALOG at the Julian A. Mcphee gallery, California Polytechnic State University, San Luis Obispo, March 1979. Kempton also provided an insightful essay on the place of Kenneth Patchen in the origins of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Kaldron. No.9/Fall / Karl Kempton, editor ; Xenakis C ; Abulafia A ; Tzara T ; Clementianus VH ; Porphyrii PO ; levy da ; Pinney M ; Gnazzo A ; Zelevansky P ; Bruscky P ; Silva F ; deAraujo A ; Saporetti C ; Branco J ; Andrade AL ; Prost R ; Wolf-Rehfeldt R ; Ito M ; Wendt L ; Porter B ; Essary L ; Helmes S ; Kempton K ; McCaffery S ; Nichol bp ; Schafer RM ; Arnold D ; Higgins D., 1979
This issue includes several reproductions of Hebrew and Latin pattern poems as well as Yantras and Mantras. A portion of Xenakis' imaginary newspaper, a work that is held by the Sackner Archive, is reproduced on the cover. -- Source of annotation: Marvin or Ruth Sackner.
Nasca Plane 3 / Kempton, Karl., 1977
No.73: Little Mags [B List] / Am Here Books ; Giorno J ; Saroyan A ; Rothenberg J ; Kempton K ; Beining G ; Hirschman J ; Schneemann C ; Higgins D ; Berman W ; Herms G ; Rothenberg J., 1993
Portrait of Texture / Kempton, Karl., 1999
The book consists of computer made constructivist images formed from letters. These works are presented one to each page. -- Source of annotation: Marvin or Ruth Sackner.
Rose Window / Kempton, Karl., 1999
In this book, Kempton composed circular, computer made poems that are formed from letters. They are presented one on each page. -- Source of annotation: Marvin or Ruth Sackner.
Rune 6: Figures of Speech / Kempton, Karl., 1992
This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.
Rune 6: Figures of Speech / Kempton, Karl ; Sackner RK ; Sackner MA., 1993
This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.
Rune 6: Figures of Speech: to speak / Kempton, Karl., 1986
This is a page from the manuscript dedicated to Ruth & Marvin Sackner. Kempton used a Panasonic electronic typewriter to produce the typewritings that he called glyphs. It was not published until 1993 by Runaway Press but then in a reduced size. -- Source of annotation: Marvin or Ruth Sackner.
Rune 7: Poem, A Mapping / Kempton, Karl., 1993
Each page contains a typewriter poem using the word, "poem." -- Source of annotation: Marvin or Ruth Sackner.
Rune / Kempton, Karl., 1977
Sex Box / Kempton, Karl., 1977
Typewriter: Rune 2: 26 Voices/January Interlude. No.10 / Karl Kempton., 1980
The cover was designed by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.