Concrete poetry
Subject
Subject Source: Sackner Database
Found in 2 Collections and/or Records:
dbqp: visualizing poetics; visual poetry, the textural imagination, and personal experience / Huth, Geof; Sackner MA; Bennett JM; Buchholz K; Altemus R; Beckett T; Ernst KS; Vassilakis N; Cassidy T; Howe W; Murphy S; Lipman J; Gubbins M; Bennett CM; Hill C; Barwin G; Wood R; Endwar; Peters M; Huth G; And M; Leftwich J; Helmes S., 2010
Item
Identifier: CC-51870-72970
Scope and Contents
Huth provides a review of all the presentations at the 2nd Avant Garde Writing Symposium held at the Ohio State Libraries. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2010
wordseen: Wordworks by 13 Visual Poets and Artists / Sackner MA ; And M ; Basinski M ; Bennett JM ; Ernst KS ; Ganick P ; Grumman B ; Helmes S ; Peters M ; Rosenberg MR ; Weiss I ; Arimany E ; Luis C ; Padin C ; Was E., 2003
Item
Identifier: CC-40452-42423
Scope and Contents
Marvin Sackner wrote the essay for this catalogue, entitled "Introduction to WordSeen Exhibition." To begin, I must declare a conflict of interest in writing this introduction. Such a statement is required when a physician presents a paper to a scientific audience while having ownership in a company or being paid for conducting studies on medical devices or drugs related to his lecture. Since I am a physician and my wife Ruth and I own works by most of the artist/poets in this exhibition, I wish to be in front with this declaration. Nevertheless, I believe that I can be objective in my views since the works in this exhibition must stand visual relevance by attendees to this exhibition regardless of what I say just like medical studies must stand the test of reproducibility by other investigators. I hope you get the point about my opinions on conflict of interest. In this introduction to the exhibition, I shall comment on the differences between concrete and visual poetry as well as...
Dates:
2003