Scope and Contents This page consists of three small rectangular panels in its right third and a collaged, almost obscured text from typed carbon backing on its left two thirds. The uppermost panel on the right side is a collage made from a logograph that also appears in Phillips' Dante's Diary book, entitled "WHYSPEND." The middle panel is a handwritten, micrographic portion of Phillips diary in which he discusses meetings with Peter [Greenaway] and viewing Edward Muybridge original photographs at the V&A. The lowermost panel consists of a rectangular collage made from the Sackner Archive stationery. The section on the right two-thirds of the drawing consists of the circular drawing WHYSPEND collaged onto the typed carbon backing of "the thirty three sheets of notes to accompany the Thames and Hudson edition of Dante. A careworn piece of paper." In this collage, only an illegible shadowy remnant of words remains. This drawing anticipates the typed carbon backing for the translation of Dante's...

Scope and Contents

This page is divided into a grid of nine rectangles that are described by Phillips as "nine versions of 'many different tongues' connected to Dante and worked on on Sunday XV/VII, including scrambled script by myself, confused Mallock, random bank numbers, parts of the Sackner letterheading, reproductions of pictures of mine from Stuttgart & the Tate Gallery & Waddington Catalogue (after Dante in his study) & two fake scripts from scratch." -- Source of annotation: Marvin or Ruth Sackner.