Text by W. deGref regarding T. Brugman's life and work and association with De Stijl and T. VanDoesburg. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Edwina B. Evers. The catalogue depicts reproductions of the following books held by the Sackner Archive: Pamela Moore "Offset and Finely Pressed;" Jerome Rothenberg and Deborah Weier "A Merz Sonata;" Margaret Atwood "Snake Poems;" and David Ossman "Rainbow Cafe." The loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

This book deals mainly with layouts and typography. -- Source of annotation: Marvin or Ruth Sackner.

This article reviews the "Between Poetry and Painting" exhibition held at the ICA London, in 1965. -- Source of annotation: Marvin or Ruth Sackner.

This print-out serves as a catalog for the exhibition at MoMA. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents how in recent years, Williams has gone from composing classic concrete poems to adding visual ornamentations to them. -- Source of annotation: Marvin or Ruth Sackner.

This piece is a tour de force of letter writing that includes several of Houedard's poems, most typed earlier as separate poems. -- Source of annotation: Marvin or Ruth Sackner.

A major portion of this museum catalogue is devoted to the exhibition "Poesure et Peintrie." The Sackner Archive holds the exhibition catalogue. The introduction was written by Christian Poitevin (aka Julien Blaine), Deputy Mayor with responsibility for the Arts and Culture. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Between Poetry and Painting" at the ICA in London. Lucie-Smith states "Concrete poetry is difficult to describe but easy to recognize." Stored with other material about this exhibition. Stored with material dealing with the Archive of "Between Poetry and Painting." -- Source of annotation: Marvin or Ruth Sackner.

Reinhold Dohl contributed an essay on the history of Sound Poetry. This cover and page are the first appearance of Becher's photographs of industrial buildings in ptint and di not include his wife. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. Participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

Several works were loaned to this exhibition by the Sackner Archive including sound poems by Raoul Hausmann. -- Source of annotation: Marvin or Ruth Sackner.