This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

The critical text on the loose sheet by Augusto De Campos compares cummings' poetry to Mallarme's Un Coup de Des. De Campos notes that in contrast to lettrisme, in cummings' poetry the words are not dissociated from the meaning nor are letters valid by themselves. De Campos believes that the word expressionism (typographical gesturing) and disfigurement of the discursive in cummings' poetry find their best visual arts equivalent in the works of Paul Klee. This is the second edition, the first edition was published in 1960. Stored in Augusto de Campos box. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of the correspondence between cummings and De Campos focusing on the typesetting of the poems. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Contains essay by Vinholes on Brazilian and Japanese Concrete Poetry and a description of the contents of the Japanese periodical ASA. -- Source of annotation: Marvin or Ruth Sackner.

The analysis of the poem is based upon the version printed in Solt's "Concrete Poetry: A World View," rather than its initial publication in Noigandres 5. -- Source of annotation: Marvin or Ruth Sackner.

This poem was in the J.J. Sharkey scrapbook but Augusto De Campos disavowed this poem as not his version of it. -- Source of annotation: Marvin or Ruth Sackner.

Lectures by Claus Cluver and Roland Greene were presented in conjunction with the exhibition. The header on theis poster reads "Advertising = Poetry." The Sackner Archive lent most of the works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Announces the lectures presented by Claus Cluver and Roland Greene in conjunction with the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was organized, designed and curated by Regina Vater. It included an excerpt written by Charles Perrrone taken from the exhibition "Brazilian Concrete & Visual Poetry from the Ruth and Marvin Sackner Archive that was hels at the University of Florida. -- Source of annotation: Marvin or Ruth Sackner.

This is a major exhibition of concrete and visual poetry organized by Michael Glasmeier. Almost every classification of visual/verbal imagery was represented in this catalogue. This catalogue depicts 71 dom sylvester houedard, eight Ladislav Novak typewriter poems. This catalogue depicts images of works included in several Hansjorg Mayer portfolios of concrete poetry. It also depicts images from runs of periodicals such as Affiche, Futura, POTH, Rot, Revue Ou, Rhinozeros, etc. Most of the works in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This work is aka Black Box. The poem objects consist of perforated prints on cardboard that are meant to be constructed as cubes. Through the reprintings, this work serves as a retrospective of both poets' works. -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed as a single line in lower case black type across the center of the brown heavy paper. At its right border, the words, city, and cite are printed vertically at the point that the poem ends with the word, cidade. -- Source of annotation: Marvin or Ruth Sackner.