Concrete poetry
Found in 1131 Collections and/or Records:
konkretionen outohtotal, 1970
Kris Kringles Kesmes Korals, 1970
These poems appear in the book of the same title published by Writers Forum & Vertigo Publications in 1970. -- Source of annotation: Marvin or Ruth Sackner.
Kris Kringles Kesmes Korals or 12 Days (of Xmas) / Cobbing, Bob., 1970
Two copies have white covers and one a blue cover. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet 69, 1969
This is a comprehensive catalogue of Kriwet's oeuvre that include photographic reproductions of concrete poetry, prints, neon sculptures, installations, performances, critical texts, and typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.
Kroklok No.4: Cover Design / Cobbing, Bob., 1976
Kruhy [101], 1964 - 1966
Kunst und Architektur, 1981
This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.
Kunst und Architektur, 1981
This book depicts Kriwet's architectural commissions in public spaces both within buildings and outside them. Several involve light or neon formed concrete poetic pieces. -- Source of annotation: Marvin or Ruth Sackner.
Kunster - Teller Nr. 3: Der einfache weg ist einfach der weg, 1975
Kurrirrurriri / Cobbing, Bob., 1967
Designated writers forum quartos number four. -- Source of annotation: Marvin or Ruth Sackner.
La Belle Hollandaise / Finlay, Ian Hamilton; Rosenthal, Herbert., 1967
La Colombe Poignardee, 1979
La Danse Des Oh!, 1992
The Letter "O" has been typed as an overlay to create Moire effects. -- Source of annotation: Marvin or Ruth Sackner.
La Materia del Significato, 1976
La Porta Aperta / Carrega, Ugo ; Mussio M., 1971
La rivolta, 1996
Luther Blissett is the alto-ego of Piermario Ciani. Taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.
Labyrinth of Time [Sample Pages and Readings] , 1987
L'Âge du Bronze, 1993
The text has been engraved onto highly polished, reflective, stiff copper sheets. -- Source of annotation: Marvin or Ruth Sackner.
