Concrete poetry
Found in 896 Collections and/or Records:
The Watts Tower Poems, 1972
This poem commemorating Simon Rodia's architectural Watts Towers in Los Angeles was reproduced from Creative Word 1 in the Random House English Series, an educational tool for the schools. -- Source of annotation: Marvin or Ruth Sackner.
THE WAY of HEAVEN , 1971
Theorie der Konkreten Poesie: Texte und Manifeste 1954-1997: Band II, 1997
Theravada: sun / moon / Burgess, Molly., 1975
Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.
Thirty Concrete & Sound Poems to Celebrate 50 Years as a Poet / Cobbing, Bob ; Birdyak ; Pike J ; Metcalf P., 1992
This suite of prints includes among others gon no nude, N Ndue, wan do tree, U CD FEG!, BESA, LN, Make perhaps this out sense of can you, iji, sovkless in sandals, DA-DA-DOO!, ata matumma, 'm, and love. -- Source of annotation: Marvin or Ruth Sackner.
This is a Square Poem, 1992
Three Operas, 1964
Tierce de Picardie , 1979
[To All Artists Hidden & Forgotten]
To Be Me To Be You, 1971
This is a signed, unfolded, poster collaborative work by the artists that was published in Review OU No.38-39, 1971. -- Source of annotation: Marvin or Ruth Sackner.
Top Soil, 1976
Totem, 1965
The sculpture that was assembled from different dimensional, wooden typeface forms is stylistically typical of works done by Gette in this period. -- Source of annotation: Marvin or Ruth Sackner.
= Touches + Strokes = Marks = Piles + Mounds = walls = / Rosenberg, Marilyn R.., 1978
Toutes les Pommes se Croquent: Divertissement Typoetique en Cinq Actes, 1996
Peignot provides examples of picture poems using concrete poems as the image with captions underneath, one to a page. The concrete poems are composed by varying letter spacing, alterating boldness of the typeface, mixing typefaces, repeating letters, printing anagrams, presenting different arrangement of letters, mirror imaging, and adding punctuation marks. The poems relate to Peignot's other book, Le Petit Peignot, published the same year as this book. Both books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Tower of Life , 1967
Tracks, 1990
[Trailing Clouds of Glory!]
Transparente Zeit(ung), 1991
Daniel drew outlines of Hebrew letters in black ink randomly on transparent paper placed over a page of printed Hebrew text. -- Source of annotation: Marvin or Ruth Sackner.
Trax Modulargraphix, 1983
Tribute to 'Vladimir Komarov' Cosmonaut, 1969
The poem consists of the lower case and handwritten letters in red and black of the word moon streaming out up-side-down as if they were streams of smoke from a rocket. The work is dedicated to the first Russian cosmonaut who died in space. Original typewriter poems by Edmonds have not been readily available. -- Source of annotation: Marvin or Ruth Sackner.