These poems are based upon naval light and flag signaling using the "International Code of Signals (British 1899) ." -- Source of annotation: Marvin or Ruth Sackner.

This work was first published by Ganglia Press in mimeographed form as the Singing Hands Series No.3 in 1966 (held by Sackner Archive). It then was published as a component of bp Nichol's bookwork, "bp" by Coach House press in 1967; this work is also held separately by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This work was first published by Ganglia Press in mimeographed form as the Singing Hands Series No.3 in 1966 (held by Sackner Archive). The present work was published as a component of bp Nichol's bookwork, "bp" by Coach House press in 1967. Nichol provided instructions on the back cover for burning this booklet. Another copy was published by fingerprinting inkoperated in 1992 (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

This book describes the nature of artistic collaborations in poetic terms. -- Source of annotation: Marvin or Ruth Sackner.

Printed by Bill Griffiths. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Daniel f. Bradley composed the six illustrations of letter pictures in this book using letraset. -- Source of annotation: Marvin or Ruth Sackner.

The photocopied colored poem is entitled "The Armistice" combines one portion of the each of the logographs for Pepsi Cola and Coca Cola. -- Source of annotation: Marvin or Ruth Sackner. The other pieces include "Radar," Mujermática 369," "Tigresa," and "Burocracia."

This is a critical essay with illustrations of Finlay's work by Douglas Eadie. -- Source of annotation: Marvin or Ruth Sackner.

Reproductions of examples of concrete poetry; one copy printed on white and the other on yellow stock. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

This book prints a selection of Branco's poems from 1963- 1974. -- Source of annotation: Marvin or Ruth Sackner.