Scope and Contents

Note that one of the three copies has price list of publications on a loose sheet. The optical illustrations throughout the pages of this issue are taken from paintings by Jeffrey Steele. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Perhaps the title of this shaped poem of a locomotive crossing a bridge should be broken up to am-bards since "ambards" is not a recognizable word. Thus, 'bard in medieval Gaelic and British culture a bard means a professional poet, employed by a patron, ch as a monarch or nobleman, to commemorate the patron's ancestors and to praise the patron's own activities. The second line that repeats the word 'doming' means smoking an amount of weed to yourself that would usually be consumed by more than one person. The third line that repeats the word, 'runel' is undefinable. It might be a misspelled word for 'runnel' that means brook. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Sackner Archive lent Houedard typewriter poems for reproduction in this book.AMAZON.COM: "Lori Emerson examines how interfaces"”from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes"”mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user...

Scope and Contents

The two red square and the two blue squares are made with@ symbols. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This typing is matted and framed with another typing by Houedard entitled "[Parentheses (41164)]." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This page contains R-L on the left side and the letters eft and ight on the right side so that the words Left, Reft, Light and Right can be created. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This poem is a homage to the death of Theodore Roethke (May25, 1908 - August 1, 1963) and was written by dsh one week after his death. Wikipedia: Roethke was an American poet who published several volumes of influential and critically acclaimed verse. He is widely regarded as among the most accomplished and influential poets of his generation. Roethke's work is characterized by its introspection, rhythm and natural imagery. He was awarded the Pulitzer Prize for poetry in 1954 for his book, The Waking, and he won the annual National Book Award for Poetry twice, in 1959 for Words for the Wind[2] and posthumously in 1965 for The Far Field.In the November 1968 edition of the Atlantic Monthly, former U.S. Poet Laurete and author James Dickey wrote Roethke was: "...in my opinion the greatest poet this country has yet produced." In keeping with Houedard's poem, Roethke's poems often related to nature. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The letters "R & rr" were typed in a square grid and superimposed to produce a Moire effect. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The word, 'runel' may be 'runnel,' meaning from Old Englsh, a revulet or brook or a narrow channel for water. The overall image may depict a surrealistic landscape since its top border depicts clouds. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work was printed by Simon Verity. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This object can be hung in a room or serve as a necklace. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This object can be hung in a room or serve as a necklace. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The set contains one well-known concrete poem printed on a card of varied colored stock by each contributor. The loose sheet is a manifesto by Gomringer entitled "from line to constellation" which was first printed in Augenblick No.2. It has been translated into English by Mike Weaver. The set was presumably sold at the Brighton poetry festival. -- Source of annotation: Marvin or Ruth Sackner.