The distribution to others of this work is unknown. The original typed poem, "Sonic Water" is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This might be considered a prophetic poem about the Wall Street crash of the internet bubble stocks in 2000 since Houedard used the @ symbols along side packed parentheses to evoke weeping for the imagery of this poem. -- Source of annotation: Marvin or Ruth Sackner.

There is a Roman arch form typed in the middle of the page surrounded by several typed mantras. -- Source of annotation: Marvin or Ruth Sackner.

The hands of this clock-like object each have a letter at their ends that spells, "Sylvester" after the poet Dom Sylvester Houedard. However, the arrangement of the gears which staggers the letters from ever lining up to form this word. The background creates a subtle Moire effect as the hands move across it. The clock was made by Kenelm Cox on behalf of Dom Sylvester Houedard. According to William Allen, bookseller, it was a surprise gift from Cox to Houedard. -- Source of annotation: Marvin or Ruth Sackner.

The hands of this clock-like object each have a letter at their ends that spells, "Sylvester" after the poet Dom Sylvester Houedard. However, the arrangement of the gears which staggers the letters from ever lining up to form this word. The background creates a subtle Moire effect as the hands move across it. The clock was made by Kenelm Cox on behalf of Dom Sylvester Houedard. According to William Allen, bookseller, it was a surprise gift from Cox to Houedard. -- Source of annotation: Marvin or Ruth Sackner.

A version of this concrete poem is printed as a card inThe Aylesford Review Vol.6 No.4, 1964-1965 and is also held as a separate entry as titled 'xmas poem 1964.' -- Source of annotation: Marvin or Ruth Sackner.

This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.

McCaffery has published very witty variations on this poem in the imagined style of others. -- Source of annotation: Marvin or Ruth Sackner.

This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.

houedard provides a critical analysis of the artistic works of Ken Cox. -- Source of annotation: Marvin or Ruth Sackner.

Houedard plays on the similar pronunciation of particular French and English words. -- Source of annotation: Marvin or Ruth Sackner.

A poem written by Espy incorporating "Deus-Snap" reversal by Houedard is printed on page 47. -- Source of annotation: Marvin or Ruth Sackner.

Houedard provides an explanation of the three poems which were written on the 18, 19 & 20 of July, 1966 for Exit magazine (1966). A copy of these prints is held by the Sackner Archive and is a catalog entry. -- Source of annotation: Marvin or Ruth Sackner.

Cover of original portfolio is incomplete because of water damage. Printed by John Furnival. To Catch a Whiteman by His Manifesto' is a portfolio containing experimental typography and concrete poetry made by Dom Sylvester Houedard and his students from Bath Academy of Art. The names of the ten students involved are; Stephen Lowndes, Sue Hudson, Liz Kelly, Jenny Osborne, Angus Davis, Erica Grice, Noelle Stewart, Alan Hext, Paul Ansell and Melody Craig. -- Source of annotation: Marvin or Ruth Sackner.