Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.

This book was first published in German in 1965. -- Source of annotation: Marvin or Ruth Sackner.

This student magazine contains a constellation by Eugen Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains essays that analyze different poetic genres. Lothar Bornscheuer contributes an essay on Eugen Gomringer's Konstellationen. -- Source of annotation: Marvin or Ruth Sackner.

The number of copies of this edition is unknown but is probably 500. This book includes bothe the German and Spsnish versions of Gomringer's seminal poem "silence." -- Source of annotation: Marvin or Ruth Sackner.

As described by William Allen, this is a printed card folio with a printed tipped-in pocket containing 5 four pages of folded illustrated essays together with a Gomringer blue type print of "Silencio" on white paper. The essays are illustrated and informative and consist of the following: 1) Eugen Gomringer in the UK, 2011 Concept as Concrete Form: Visual Poetry, Texts and Typography; 2) Eugen Gomringer in the UK "father of concrete poetry" by Roger Brown; 3) The Conz Donation at De Montford University - Eugen Gomringer and Nicholas Zurbrugg by Robert Richardson; 4) Stuart Mills; 5) Concept as Concrete Form List of Works. Allen writes that this is a beautifully produced catalogue published at the time of Gomringer's UK tour in 2011 with useful reference information and also a section on the English concrete poet Stuart Mills.The cover is silkscreen with eg. -- Source of annotation: Marvin or Ruth Sackner.

This is a brief survey of German language speaking concrete poetic works. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured concrete poems with fragmented text. It included one visual poem by Toshihiko Schimuzu. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists Fluxus editions published by L'Archivio Conz. -- Source of annotation: Marvin or Ruth Sackner.

This is a poetry textbook for secondary schools with the following sections: Found Poems, Image Poems, Speaker Poems, Concrete Poems, and Magic Poems. It includes questions for the reader regarding these poems. -- Source of annotation: Marvin or Ruth Sackner.

This book was based upon proceedings of 17th annual workshop sponored by the Department of German at the University of Wisconsin-Madison. Reinhold Grimm wrote a detailed, historical, illustrated essay on emblem, concrete and shaped poetry titled, "Poems and/as Pictures: A Quick Look at Two and a Half Millennia of Ongoing Aesthetic Intercourse." Sixty five examples of such poems are depicted. Grimm provides several shaped poems by different authors from George Herbert to Eugen Gomringer on "meditative wings." A shaped poem by an anonymous author entiltled "Cube" (1710) is printed in German and Yiddish (Figure 29). ee cummings' poem "Grasshopper" (1935) is reprinted (Figure 32). Includes three erotic shaped poems by Reinhold Aman, editor of the magazine, Maledicta (Figures 62-64). -- Source of annotation: Marvin or Ruth Sackner.

This typing consists of a zig-zag column of the word yellow and nine words up from the botton the single word green.This is conceptually similar to silencio by Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.

In this issue, Cavan McCarthy essay, "trad/kin kon: The poetry magazine scene" surveys small mags world wide publishing concrete poetry. Houedard designed the cover and also signed this issue. -- Source of annotation: Marvin or Ruth Sackner.