Scope and Contents On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their brains, as well." -- Source of annotation:...

Scope and Contents This copy is stored in the Bob Grumman box. On the back cover and internet, it is stated that Bob Grumman has long been active in the micro-press as publisher (the Runaway Spoon Press), conventional poet (Of Poem), visual poet (Xerolage 30), mathematical poet (April to the Power of the Quantity Pythagoras Times Now), critic (Of Manywhere-at-Once), columnist (for Small Press Review) and blogger (Poeticks.com). His other interests include arguing on the Internet with wacks certain Shakespeare was a fraud, tennis, riding his bicycle (his only mode of local transportation) and trying to finish a full-scale (totally uncertified) theory of psychology he's had under way since he was 26. Bob says: "My hope is that engagents of the works here will experience them in the verbal portions of their brains more or less at the same time that they experience them as works of visual art. In a few of them, my "visual long-division poems,' I try to trip those entering them into a third part of their...

Scope and Contents

These poems from Austrian and German poets are generally stylistically concrete. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistake discussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These poems from Austrian and German poets are generally concrete in style. In the foreword, Grumman acknowledges the financial support of the Sackners. Poems with interesting ideas include Schwarz's cow poem in which the letters are arranged to form the shape of a cow, Daniel's Hebrew letter poems and Warnke's concrete poem, mistakediscussion, in which this word is printed in 17 horizontal rows with one incorrect letter that is close to the correct spelling cancelled across a diagonal. -- Source of annotation: Marvin or Ruth Sackner.