Concrete poetry
Found in 50 Collections and/or Records:
Nature / Ferdinand Kriwet., 1975
Neue Arbeiten 1976/77 / Kriwet, Ferdinand., 1977
No.3 / Falkenstein, Klaus ; Gomringer E ; Hausmann R ; Kriwet F ; Apollinaire G ; Mallarme S ; Marinetti FT ; Mayer HJ ; Mayrocker F ; Mon F ; Queneau R ; Ruhm G., 1988
No.15 / Falkenstein, Klaus ; Jandl E ; Kriwet F ; Paz O ; Queneau R ; Ruhm G ; Broel E ; Gerz J ; Lissitzky E ; Ting W., 1994
No.72: A Holiday Miscellany / Asphodel Book Shop ; Kriwet F ; Patchen K ; Saroyan A ; Jess ; Cendrars B ; Johnson R ; Merton T ; cummings ee ; Jarry A ; Jones D ; Olson C., 1980
Poem-Painting Buttons Signs Flags 1966-1977 / Kriwet, Ferdinand., 1967
According to Barbara Moore, there were two versions of this book, one with gallery information that served as an exhibition catalogue and the other without such information as in this copy. -- Source of annotation: Marvin or Ruth Sackner.
Poem / Print / Kriwet, Ferdinand., 1964
Poem / Print / Kriwet, Ferdinand., 1964
This copy differs from the other one in the Archive in that it is dry mounted to white cardboard. -- Source of annotation: Marvin or Ruth Sackner.
Publit / Kriwet, Ferdinand ; Mon F ; Apollinaire G ; Mallarme S ; Ball H ; Schwitters K ; Marinetti FT ; Depero F ; Hains R ; Bryen C ; Albert-Birot P ; Iliazd ; cummings ee ; Mazza A ; Porphyrii PO ; Klee P ; Holz A., 1971
Ferdinand Kriwet contributed an introductory essay, "Decomposition of the Literary Unit: Notes on Visually Perceptible Literature" that traced the historical antecedents of concrete and poetry. This is followed by an illustrated section on his own linguistic and compositional techniques involving circular concrete poems, "Rundsheiben." "Walk Talk," a vinyl, floor covering, a portion of which was given to the Sackners by Kriwet is depicted in the book.Kriwet defines his term "Sehtext" as a solution to the problem of visually perceptible literature. It is the tension between the physical act of seeing and the intellectual one of reading. Seeing is a process of perception; reading is the reaction to it. -- Source of annotation: Marvin or Ruth Sackner.
Publit - poem-paintings - in coram publico / Kriwet, Ferdinand ; Stockhausen K., 1966
The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. The inscription on the cover is written and signed by Franz Mon (?). -- Source of annotation: Marvin or Ruth Sackner.
Publit - poem-paintings - in coram publico / Kriwet, Ferdinand ; Stockhausen K., 1966
The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. -- Source of annotation: Marvin or Ruth Sackner.
Rundscheibe No. IX: Lurium Darum (Sehtexte: Zweite Serie 1962/1963) / Kriwet, Ferdinand., 1964
Rundscheibe No. VI: Type Is Honey (Sehtexte: Zwerte Serie 1962/1963) / Kriwet, Ferdinand., 1964
Rundschiebe No. XII: Ohne Tital (Sehtexte: Zweite Serie 1962/1963) / Kriwet, Ferdinand., 1964
Sehtext / Ferdinand Kriwet., 1970
Sehtext / Ferdinand Kriwet., 1970
Some Shows fo Escape, Some for Introspection / Johnson, Ken; Kriwet F; Warhol A., 2008
The review from Marianne Boesky's gallery features a description and an illustration of Kriwet's piece "Walk Talk." The Sackner Archive holds a red and black version of the one shown. -- Source of annotation: Marvin or Ruth Sackner.