This poem was executed by bp Nichol in 1980 and first published at that time; this second edition differs from the current copy in that the Santa Claus on the cover of the envelope in the first edition is an offset print collaged to the envelope whereas in the current copy, Santa Claus is a rubberstamped image. -- Source of annotation: Marvin or Ruth Sackner.

This book was first published in an edition of two copies in 1966 as a collaboration with David Aylard. One copy is in the Hans Sohm Archives and the other was retained by Nichol. It was made with a combination of rubberstamping and mimeography. The present book was composed with a combination of rubberstamping and photocopying. -- Source of annotation: Marvin or Ruth Sackner.

This work was designed by bp Nichol except for one piece by Andrew Suknaski. Two copies have the printed envelope intact, in another copy, the envelope is frayed, and in the remaining copy, the envelope is absent. The actual edition size was probably 300 copies. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology depicting Nichol's previously published concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made of the loan of three original manuscripts from the Sackner Archive for publication in this book. -- Source of annotation: Marvin or Ruth Sackner.

This includes an essay by Peter Day about a reminiscence of Shunt Basmajian just before Day died as this issue was going to press. -- Source of annotation: Marvin or Ruth Sackner.

Designated as Quartos No.3. A Canadian version of this book was published by Weed Flower Press in 1973 but the titles were differently placed on the pages. -- Source of annotation: Marvin or Ruth Sackner.

Valoch indicates that he is sending books to David UU in exchange for Canadian Avant Garde poetry books. -- Source of annotation: Marvin or Ruth Sackner.

Valoch mentions materials that he is sending for his exhibition, 'microproseplus' and method of payment, i.e., prefers books to money. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns seeking poems in letraset; J. Bory's assistance to D. Harris with "Spanish Fleye;" and exhibition being organized in Spain by Ignacio Gomez DeLiano. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns J. Bory's placement of copies of "Gronk" No.1 and 2 in Paris bookshops, and comments on expenses involved with being a publisher. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists separate and contributed works by David UU aka David W. Harris. jw curry provides an introductory biographic sketch. On another page (depicted in this record), curry mentions that the Singing Hands Series #2 issue only amounted to 6 of the projected 200 copies and only 2 are known to exist. This was to be David UU's first separate publication but he withdrew it in October 1966. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue offered a fairly complete collection of the publications of Curvd H&Z press that are not listed individually for Canadian $3,600. David UU prepared the catalogue for this collection. -- Source of annotation: Marvin or Ruth Sackner.

According to the widow of David UU, Ingrid Harris, these poems were created in late 1990 (North Vancouver, BC) and 1991 (Hamilton, Ontario). -- Source of annotation: Marvin or Ruth Sackner.