Scope and Contents Matthew Abess, a second year undergraduate student at the University of Pennsylvania, poet and scholar, spent the summer of 2006 researching the work of the British poet, Bob Cobbing in the Sackner Archive. In honor of the Sackner's 50th wedding anniversary, Matthew conceived of a poetic interpretation by mining the letters R-U-T-H and M-A-R-V-I-N in Cobbing's bibliographic entries in their original positions on the page and reprocessing the letters on 50 pages on a photocopier so that the letters on the final page are completely obscured and abstract. Metaphorically, the letters take on a new beautiful life and interpretation. Also included are six pages of working notes. The poet's explantion of his process is as follows: Please see below my brief explanation of the piece. It is rather inarticulate, so please feel free to edit as you see fit! Respectfully, Matthew "Symphonic Concrete Cine-Text" Curated by: Ruth & Marvin Sackner Edited by: Matthew Abess, 24.06.2006....

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The Art of Typewriting is listed for publication with three varying illustrations of typwriter art on the front covers -- Source of annotation: Marvin or Ruth Sackner.

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The collage was made to commemorate The Beauty in Breathing exhibition held in the Miami Beach Convention Center at the Annual Meeting of the American Thoracic Society/American Lung Association. It consisted of clippings from newspapers and magazines dealing with phrases utilizing the words, breath, breathe and breathing mounted on papercard. -- Source of annotation: Marvin or Ruth Sackner.

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This print was made to commemorate The Beauty in Breathing exhibition held in the Miami Beach Convention Center at the Annual Meeting of the American Thoracic Society/American Lung Association. It consisted of clippings from newspapers and magazines dealing with phrases utilizing the words, breath, breathe and breathing. -- Source of annotation: Marvin or Ruth Sackner.

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This print was made to commemorate The Beauty in Breathing exhibition held in the Miami Beach Convention Center at the Annual Meeting of the American Thoracic Society/American Lung Association. It consisted of clippings from newspapers and magazines dealing with phrases utilizing the words, breath, breathe and breathing. -- Source of annotation: Marvin or Ruth Sackner.

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This print was made to commemorate The Beauty in Breathing exhibition held in the Miami Beach Convention Center at the Annual Meeting of the American Thoracic Society/American Lung Association. It consisted of clippings from newspapers and magazines dealing with phrases utilizing the words, breath, breathe and breathing. -- Source of annotation: Marvin or Ruth Sackner.

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Bayard dedicated the book, which developed from her doctoral thesis, to Ruth and Marvin Sackner. In the acknowledgments she states, "I would like to express my gratitude ...especially to Marvin Sackner for generously granting me unlimited access to his marvellous collection of concrete and post-modern artefacts. Without such direct, visual, and hands-on contact with concrete and deconstructed items, I would have known them only abstractly."Bayard's book is heavily oriented to criticism and theory of concrete poetry with particular attention to the work of bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition was curated by Nora Quinlan and William Brown. The Sackner Archive lent four works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is the catalogue for a retrospective exhibition of Boshoff's work. Boshoff writes that his inspiration for concrete poetry was his passion for crossword puzzles. Boshoff writes (page 23) in an lengthy biographical interview with Warren Siebrits the following: In early 1996, I visited the book artist Robbin Silverberg taking with me a silkscreen print of a poem from KYKAFRICAANS to thank her for the hospitality and kindness she showed me. She didn't seem to like it very much, and suggested we take it to show to the artist book dealer Toni Zwicker.Toni was already quite elderly, but it was amazing to see how excited she became about this work from KYKAFRICAANs that I has made 15 years earlier. As it happened, the great American collector, Marvin Sackner, from Miami, visited Toni's home while we were there. He became so enthusiastic that he decided on the spot to buy the original manuscript of the 99 A4 typed pages that constitute KYKAFRICAANS, and invited us to go and visit him...

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The Sackner Archive lent Word Works (Book) to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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Fernando Gonzalez reviews the multi media performance of De Campos, Poetry Is Risk, and the concrete poetry movement in Brazil in his first article; he describes the Sackner Archive in the second section. The Sackners are photographed in their gallery. -- Source of annotation: Marvin or Ruth Sackner.

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Eye a book object from 1983 held by the Sackner Archive is depicted in this book. The CD is titled "Visual Poetry in the Avant Writing Collection, Ohio State University. -- Source of annotation: Marvin or Ruth Sackner.

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This book extends the autobiography of David Daniels from 1973 to 2002 (original manuscript with same title ran from 1933 to 1972). The years 1933 to 1972 are repeated from the original manuscript that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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In this book, Deisler dedicated a sound poem to Marvin Sackner entitled "breath-in and breathe-out." This book is also designated as Hallesche Autorenhefte 18. -- Source of annotation: Marvin or Ruth Sackner.