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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 129 Collections and/or Records:

[Letter to Dom Sylvester Houedard 26.10.63] / De Campos, Augusto; Webern A; Mallarme S; Maurus H; Herbert G; Herrick R; Garnier P; Chopin H; Corman C; Pound E., 1963

 Item
Identifier: CC-14908-15221
Scope and Contents

DeCampos responds to a classification system proposed by Houedard by pointing out "visual organization of words, with an overemphasis on relations of proximity and resemblance between them, leads ineluctably to an equivalent overemphasis on sound, implying a dynamical use of paronomasia and alliteration that explains why Brazilian young musicians have been so much interested in many of our seeming eyepoems, and in the making of oral presentations for them." He states he wrote to Hugh Kennerabout Ezra Pound and received a sympathetic response. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

ligia fingers / De Campos, Augusto., 1953

 Item
Identifier: CC-58340-10001556
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Linguaviagem / Augusto De Campos., 1967

 Item
Identifier: CC-14881-15194
Scope and Contents

The poem folds out to the shape of a cube. Lingua means tongue, via means via, lingagem means language, and viagem means voyage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Linguaviagem / Augusto De Campos., 1967

 Item
Identifier: CC-14881-15194
Scope and Contents

The poem folds out to the shape of a cube. Lingua means tongue, via means via, lingagem means language, and viagem means voyage. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Luxo Lixo / De Campos, Augusto., 1965

 Item
Identifier: CC-58345-10001561
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Luxo-Lixo / Vater, Regina; DeCampos A., 1992

 Item
Identifier: CC-00851-870
Scope and Contents

Based on a poem by Augusto DeCampos, Vater writes that the label is her participation in the ecological summit in Rio. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

No Entrei / De Campos, Augusto., 1953

 Item
Identifier: CC-58337-10001553
Scope and Contents

This page was personally scanned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Nossos Dias / De Campos, Augusto., 1953

 Item
Identifier: CC-58339-10001555
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene] / De Campos, Haroldo ; DeCampos A ; Morgan E ; Pignatari D ; Gomringer E ; Enzensberger HM ; Bessa AS., 2007

 Item
Identifier: CC-49157-70197
Scope and Contents Amazzon.com: This is the first full-scale English translation of one of Brazil's-and the world's-most influential avant-garde literary voices. A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos has made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. These contributions, acclaimed worldwide by figures such as Umberto Eco, Jacques Derrida, Octavio Paz, and Guillermo Cabrera Infante, can be observed unfolding here, first in poetry selections ranging from de Campos' early work before concretism through his most recent production; then in theoretical...
Dates: 2007

Op Kinkon & Eyear / Fricker, Frank, editor ; Herbert G ; Carroll L ; Mallarme S ; Gomringer E ; Houedard DS ; Bevan A ; Sampson J ; DeCampos A ; Garnier P ; Roth D ; Finlay IH ; Cobbing B ; Apollinaire G., 1966

 Item
Identifier: CC-11130-11345
Scope and Contents

Frank Fricker provides an historical introduction of concrete poetry, optical, kinetic and phonic poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966