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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 610 Collections and/or Records:

Voor'werk, 1990

 Item — Box 275: [Barcode: 31858073143384]
Identifier: CC-28573-29861
Scope and Contents

The inside of the box for this exhibition has four compartments, one for representation of each of the participating artists. Kay Rosen's are concrete poetic-like prints on stiff cardboard. Fiona Rae provides a thick, impasto, acrylic, abstract expressionist painting that is numbered 227/500. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Wan/Grin (For Schools) / Cobbing, Bob., 1986

 Item — Box 394: [Barcode: 31858072461589]
Identifier: CC-17566-17932
Scope and Contents

One copy is printed on white paper and two copies on brown paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

was an old woman lived in the buddhashoe (290663-060763), 1963

 Item — Box 643
Identifier: CC-08879-9055
Scope and Contents This page includes 11 typewriter poems including a oiem in five parts as an homage to Leopold Sedar Senghor. Wikipedia: Léopold Sédar Senghor (9 October 1906 "“ 20 December 2001) was a Senegalese poet, politician, and cultural theorist who for two decades served as the first president of Senegal (1960"“1980). Senghor was the first African elected as a member of the Académie française. Before independence, he founded the political party called the Senegalese Democratic Bloc. He is regarded by many as one of the most important African intellectuals of the 20th century. He graduated from the University of Paris, where he received the Agrégation in French Grammar. Subsequently, he was designated professor at the universities of Tours and Paris, where he taught during the period 1935"“1945. Senghor decided to start his teaching years at the Lycée René-Descartes in Tours; he also taught at the Lycée Marcelin Berthelot in Saint-Maur-des-Fosses near Paris.[14] He also studied linguistics...
Dates: 1963

W.H. Davies Nailsworth Series: T Is for Time..., 1996

 Item — Folder 37: [Barcode: 31858072459971]
Identifier: CC-13338-13639
Scope and Contents

Consists of two columns of poetic expressions beginning with the letter T or the word T. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Whisper Piece / Cobbing, Bob., 1969

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-59736-10002792
Scope and Contents

Designated Writers Forum Folder 6. Two of the prints are stored in a binder containing typewriter poems. This copy does not have Cobbing's handwriting across the prints. Another copy held by the Sackner Archive does. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Whississippi / Cobbing, Bob., 1969

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17603-17971
Scope and Contents

Designated writers forum pamphlet number two. "Whississippi" written in London and recorded in Stockholm, is the fourth part in a series of whisper pieces consisting of a vocal interpretation of typewriter-picture poems based of the letters in the words "whisper piece." It was read by two voices (Kersten M. Lundberg & Bob Cobbing) and then manipulated in the recording studio. The maquette for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Why Shiva Has Ten Arms (Number One) / Cobbing, Bob., 1969

 Item — Box 386: [Barcode: 31858072461514]
Identifier: CC-17453-17818
Scope and Contents

Designated writers forum folder number seven. This tenth publication of Cobbing includes new versions of the following poems: "Soma," "Whisper Piece," "Vertigo," "Marvo Movies Natter," and "Transcript." Cobbing writes on the envelope that this copy number one was finished at 3AM on August 14, 1969. Colophon states "Why Shiva has ten arms / for he represents the dance of life / the omnipotence of being able to do innumerably / many things at once / .the joyous cosmology. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Why Y?, 1988

 Item — Box 255: [Barcode: 31858072458247]
Identifier: CC-15633-15961
Scope and Contents

The two sides of the Y form of the sculpture have question marks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Windmills Enter Arms Race, 1967

 Item — Folder 36: [Barcode: 31858072459963]
Identifier: CC-12407-12633
Scope and Contents

This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

womb word 1 (051165), 1965

 Item — Box 643
Identifier: CC-56015-59686
Scope and Contents

This version of the poem is typed on the top portion of the page in four columns. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

womb word 2 (051165), 1965

 Item — Box 643
Identifier: CC-56016-886644
Scope and Contents

This version of the poem is spaced throughout the page in two columns. It contains the date 051165 handwritten probably by Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

womb word (051165), 1965

 Item — Box 643
Identifier: CC-31367-32844
Scope and Contents

The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

Word/Clock, 1984

 Item — Box 276: [Barcode: 31858073143392]
Identifier: CC-20404-20801
Scope and Contents

There are four stacks of moveable leaflets like a roladex file that move randomly with electric power to form minimalist poems. The rearrangement of the words can also be accomplished by turning one of the two knobs brought out to the side. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Words / Andre, Carl; Meyer, James., 1993

 Item — Box 316: [Barcode: 31858072490810]
Identifier: CC-26613-27083
Scope and Contents

This exhibition was a retrospective of Andre's typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993