Concrete poetry
Subject Source: Sackner Database
Found in 610 Collections and/or Records:
Voor'werk, 1990
The inside of the box for this exhibition has four compartments, one for representation of each of the participating artists. Kay Rosen's are concrete poetic-like prints on stiff cardboard. Fiona Rae provides a thick, impasto, acrylic, abstract expressionist painting that is numbered 227/500. -- Source of annotation: Marvin or Ruth Sackner.
Walls Must Crumble, 2000
Wan/Grin (For Schools) / Cobbing, Bob., 1986
One copy is printed on white paper and two copies on brown paper. -- Source of annotation: Marvin or Ruth Sackner.
was an old woman lived in the buddhashoe (290663-060763), 1963
W.H. Davies Nailsworth Series: Q is for Question - U is for Union Uncertainty, 1999
W.H. Davies Nailsworth Series: Q is for Question - V is for Venus Violet and Oak Voices of Scorn, 1999
W.H. Davies Nailsworth Series: T Is for Time..., 1996
Consists of two columns of poetic expressions beginning with the letter T or the word T. -- Source of annotation: Marvin or Ruth Sackner.
Whisper Piece / Cobbing, Bob., 1969
Designated Writers Forum Folder 6. Two of the prints are stored in a binder containing typewriter poems. This copy does not have Cobbing's handwriting across the prints. Another copy held by the Sackner Archive does. -- Source of annotation: Marvin or Ruth Sackner.
Whississippi / Cobbing, Bob., 1969
Designated writers forum pamphlet number two. "Whississippi" written in London and recorded in Stockholm, is the fourth part in a series of whisper pieces consisting of a vocal interpretation of typewriter-picture poems based of the letters in the words "whisper piece." It was read by two voices (Kersten M. Lundberg & Bob Cobbing) and then manipulated in the recording studio. The maquette for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Why Shiva Has Ten Arms (Number One) / Cobbing, Bob., 1969
Designated writers forum folder number seven. This tenth publication of Cobbing includes new versions of the following poems: "Soma," "Whisper Piece," "Vertigo," "Marvo Movies Natter," and "Transcript." Cobbing writes on the envelope that this copy number one was finished at 3AM on August 14, 1969. Colophon states "Why Shiva has ten arms / for he represents the dance of life / the omnipotence of being able to do innumerably / many things at once / .the joyous cosmology. -- Source of annotation: Marvin or Ruth Sackner.
Why Y?, 1988
The two sides of the Y form of the sculpture have question marks. -- Source of annotation: Marvin or Ruth Sackner.
Windmills Enter Arms Race, 1967
This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.
Winter Poem No.7 / Cobbing, Bob., 1982
womb word 1 (051165), 1965
This version of the poem is typed on the top portion of the page in four columns. -- Source of annotation: Marvin or Ruth Sackner.
womb word 2 (051165), 1965
This version of the poem is spaced throughout the page in two columns. It contains the date 051165 handwritten probably by Houedard. -- Source of annotation: Marvin or Ruth Sackner.
womb word (051165), 1965
The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.
Word/Clock, 1984
There are four stacks of moveable leaflets like a roladex file that move randomly with electric power to form minimalist poems. The rearrangement of the words can also be accomplished by turning one of the two knobs brought out to the side. -- Source of annotation: Marvin or Ruth Sackner.
Words / Andre, Carl; Meyer, James., 1993
This exhibition was a retrospective of Andre's typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.
