The outside long sleeve shirt is made of red, orange, white and black cut and collaged words and word fragments. The inner side is collaged with smaller black and white words and word fragments. The original shirt fit Trinkewitz. -- Source of annotation: Marvin or Ruth Sackner.

The short sleeve t-shirt is collaged with light blue, navy blue, turquoise and white words and fragments of words on its outer surface. The inner surface is collaged with smaller black and white words and fragments of words. The original shirt fit Trinkewitz. -- Source of annotation: Marvin or Ruth Sackner.

Raoul Hausmann's "sound-reel," a sound poem held by the Sackner Archive is depicted on page 146. It depicts the hand writtem added letters, signs and numbers that are often not present in other reproductions of the poem. However, it lacks the hand printed inscription of the title at its bottom and the typed R. Hausmann signature. -- Source of annotation: Marvin or Ruth Sackner.

The porcelain cup is inscribed "Poetry First" on one side and Petr Sevcik on the other side. The shipping box is collaged in part with poems taken from newspapers by Chistian Morgenstern and Ernst Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Two copies have an isbn number on the front cover but one copy does not. The back cover of one copy with the isbn number has a different image than the other copy. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.

In this poem, Furnival plays with permutations of bear, the personal pronouns, ours & nous (we in English from the French), and son using his distinctive calligraphic printed letterform style. This print is depicted in Furnival's "Lost For Words" (2011) page 56. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The poem deals with speed (the drug or the automobile) that can lead to disaster. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. This booklet consists of a concrete poem which employs Scottish words that deal with the docking maneuver for a ship in harbor. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. Sam Dogin may be a pseudonym for another poet, perhaps d.a. levy. This poem deals with the act of defecation. -- Source of annotation: Marvin or Ruth Sackner.

Correction: Sam Dogin was proprieter of The Book Spot, where Levy worked for a time, Sam Dogin is not a pseudonym.--Source of annotation: Kenty[sic] Taylor.

Edited by d.a.levy. This book has a concrete poem that depicts a sexual orgasm; another version was published by the poet in the Ohio City Series. The author subsequently wrote feminist critical texts. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy aka the author, Alan Denis. The letter "z" is repeated several times in varied typefaces to suggest snoring. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed with black letters on a red background; the English, he and she, are printed vertically with the E's interlocked as a metaphor for sexual intercourse. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.