Skip to main content

Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 1054 Collections and/or Records:

Sehtexte und Kommentare, 1964

 Item — Box 614: [Barcode: 31858072461001]
Identifier: CC-37401-39254
Scope and Contents

The brochure depicts six typewriter poems, the first series of four of six circular concrete poems (sehtexte) 1960-1961 and the second series of six of 14 concrete poems, 1962-1963. The loose sheet present in one of the copies is an announcement for Kriwet's book, "durch die runse..." published as schritte No.10. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Selected Poems, 1987

 Item
Identifier: CC-11338-11554
Scope and Contents

Peter Finch introduces his collected works by tracing those poets who influenced him. He writes that "concrete poetry does not use language for the recollection of emotion in tranquility but as the material of the poem itself." The book includes a poem, "Breath (after Philip Glass)," which repetitively utilizes the phrases, "the breath came and the breath went," as an incessant background rhythm for the main text in an analogous way that Philip Glass presents his music compositions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Selected Ponds, 1975

 Item
Identifier: CC-12007-12230
Scope and Contents

The photographs of the sculpture in Finlay's garden were made by Dave Patterson. Two brief introductory essays by Bernard Lassus and Stephen Bann are included in the first four pages. The remainder of this book consists of photographs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975