This poem commemorating Simon Rodia's architectural Watts Towers in Los Angeles was reproduced from Creative Word 1 in the Random House English Series, an educational tool for the schools. -- Source of annotation: Marvin or Ruth Sackner.

Filed in Bob Cobbing box. -- Source of annotation: Marvin or Ruth Sackner.

Designated Pamphlet One 2nd ed. The first edition that was published in 1968 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.

This suite of prints includes among others gon no nude, N Ndue, wan do tree, U CD FEG!, BESA, LN, Make perhaps this out sense of can you, iji, sovkless in sandals, DA-DA-DOO!, ata matumma, 'm, and love. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of previously published sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum 'fours' number one. The handwritten additions provide directions for ordering the poetry and the timing of each piece. -- Source of annotation: Marvin or Ruth Sackner.

This is a signed, unfolded, poster collaborative work by the artists that was published in Review OU No.38-39, 1971. -- Source of annotation: Marvin or Ruth Sackner.

The sculpture that was assembled from different dimensional, wooden typeface forms is stylistically typical of works done by Gette in this period. -- Source of annotation: Marvin or Ruth Sackner.

Peignot provides examples of picture poems using concrete poems as the image with captions underneath, one to a page. The concrete poems are composed by varying letter spacing, alterating boldness of the typeface, mixing typefaces, repeating letters, printing anagrams, presenting different arrangement of letters, mirror imaging, and adding punctuation marks. The poems relate to Peignot's other book, Le Petit Peignot, published the same year as this book. Both books are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.