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Conventional poetry

 Subject
Subject Source: Sackner Database

Found in 159 Collections and/or Records:

Subduing Demons in America: Selected Poems 1962-2007, 2008

 Item
Identifier: CC-49491-70537
Scope and Contents Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates: 2008

The Amo Soph Arcane by Jack Hirschman , 1997

 Item — Folder 47: [Barcode: 31858072460045]
Identifier: CC-33584-35237
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

The Blue Sail, 2002

 Item
Identifier: CC-42824-44864
Scope and Contents

This book is a selection of Finlay's poems over 40 years. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

The Chthonic Arcane by Jack Hirschman , 1998

 Item — Folder 47: [Barcode: 31858072460045]
Identifier: CC-33582-35235
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush and added color fields in acrylic paint. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

The Dance of the Intellect: Studies in the Poetry of the Pound Tradition, 1996

 Item
Identifier: CC-30128-31526
Scope and Contents

This book consists of a reprinting of ten essays written for specific occasions that were published between 1981 and 1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

The Girt Arcane by Jack Hirschman, 1998

 Item — Folder 47: [Barcode: 31858072460045]
Identifier: CC-33585-35238
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor and china ink with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

The Green Chakre Arcane by Jack Hirschman, 1997

 Item — Folder 47: [Barcode: 31858072460045]
Identifier: CC-33580-35233
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

The Guardian Recto, 1979

 Item — Folder 2: [Barcode: 31858072459401]
Identifier: CC-13064-13359
Scope and Contents

This lengthy poem is illustrated by a surrealistic building. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

The Hound Arcane by Jack Hirschman, 1998

 Item — Folder 52: [Barcode: 31858072537867]
Identifier: CC-33586-35239
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

The Ornamental Blessing, 1994

 Item — Box 272: [Barcode: 31858072460938]
Identifier: CC-34711-36415
Scope and Contents

The poem is set in short phrases on the vertical axis of tightly, rolled scroll with occasional diagonally printed phrases of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

The Pasolini Arcane by Jack Hirschman, 1997

 Item — Folder 46: [Barcode: 31858072460052]
Identifier: CC-33581-35234
Scope and Contents

Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997