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Eight lines are typed in red and one line in black capital letters. -- Source of annotation: Marvin or Ruth Sackner.

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Three sentences are typed in red and one sentence is typed in black capital letters. -- Source of annotation: Marvin or Ruth Sackner.

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This small card consists of three lines of hand printing in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

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The name yeshua ben-yoosuf is starred to a line at the lower center "or JC - from the agapha translated by dsh 010368." The page is perforated top and bottom. -- Source of annotation: Marvin or Ruth Sackner.

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The poem is typed in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

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Charles Cameron writes about this collection of 36 pages and one cover page, "A collection of non--concrete poems on mainly religious topics, some on the beat & raunchy side, typed by me (cc) on dsh's typewriter and inscribed by him on title page "& copied in my presence dsh" - erotic, quixotic, off beat, beat, wild stuff." The poems iknclude adescription os dsh's typewriter, Jack Kerouac, and a poetry definition as 'misplaced sex.' -- Source of annotation: Marvin or Ruth Sackner.

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This is a two page letter to John Sharkey that includes a poem from Lionel Kearns and mentions information about a notable group of poets and plans for future publications. -- Source of annotation: Marvin or Ruth Sackner.

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This typing consists of four group of words where the second letters are a, e, i and o. -- Source of annotation: Marvin or Ruth Sackner.

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This page includes two poems for Bill Butler. A handwritten addition by Houedard is "jn maclaughlan (stilt press)." The poems are typed on tissue paper. -- Source of annotation: Marvin or Ruth Sackner.

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The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.

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This page contains five dated poems. -- Source of annotation: Marvin or Ruth Sackner.

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This piece was published in Rampike Vol.6 No.1. curry includes 5 handwritten Haiku poems by Hood (collaged onto pages) written as varients in House of Cards, Runaway Spoon & form the basis for curry's critical text. In a letter to the Sackners, curry notes that Jirgins (editor Rampike) "fucked it up by typesetting all the poems (including the bp Single letter translation!)(i'd provided him with a photocopy of bp's drawn version), rendering my discussion of Hood's handwriting superfluous..." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is a great poem about the far reaching impact of poetry.nThe Aramaic words 'maran atha' are written towars the end of the poem followed by the repeated phrase 'god come. Wikpedia: 'If one chooses to split the two words as מרנא תא (maranâ thâ), a vocative concept with an imperative verb, then it can be translated as a command to the Lord to come. On the other hand, if one decides that the two words מרן אתא (maran 'athâ), a possessive "Our Lord" and a perfect/preterite verb "has come," are actually more warranted, then it would be seen as a credal expression. This interpretation, "Our Lord has come," is supported by what appears to be an equivalent of this in the early credal acclamation found in the biblical books of Romans 10:9 and 1 Corinthians 12:3, "Jesus is Lord." In general, the recent interpretation has been to select the command option ("Come, Lord!"), changing older decisions to follow the preterite option ("Our Lord has come") as found in the ancient...

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The poem is typed one word per line and reads, "wide love eros a gape." Houedard has written "final version" in the upper right corner of the page. -- Source of annotation: Marvin or Ruth Sackner.