Conventional poetry
Found in 140 Collections and/or Records:
Talking Leaf / Jack A. Hirschman., 1992
The title refers to the Cherokee vocabulary invented by Sequoyah but rather than using letters from this language, Hirschman employed Etruscan letters in the background which suggest images of mirror-writing. -- Source of annotation: Marvin or Ruth Sackner.
Talking Leaf / Jack A. Hirschman., 1992
The title refers to the Cherokee vocabulary invented by Sequoyah but rather than using letters from this language, Hirschman employed Etruscan letters in the background which suggest images of mirror-writing. -- Source of annotation: Marvin or Ruth Sackner.
Tapakah Ul (Cockroach St) / Hirschman, Jack., 1975
The poem was printed by hand in the style of Iliazd's early futurist poems. -- Source of annotation: Marvin or Ruth Sackner.
Th Flying Foxes / Jack A. Hirschman., 1991
The shape of the book object is bat-like. The main colors utilized, red and blue, refer to the new post-Duvalier Haiti. The box and book object are decorated with colorful Haitian words written in the Cyrillic alphabet because Hirschman regards the shape of Russian as central to his visual/verbal work. -- Source of annotation: Marvin or Ruth Sackner.
The Am Soph Arcane / Falk, Agneta; Hirschman, Jack A.., 1998
The Amo Soph Arcane by Jack Hirschman , 1997
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Art of the Kabbala / Hirschman, Jack A.., 1980
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. -- Source of annotation: Marvin or Ruth Sackner.
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. It also includes a photocopied broadside in homage to Jack Hirschman composed by John Thomas in 1973. -- Source of annotation: Marvin or Ruth Sackner.
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. -- Source of annotation: Marvin or Ruth Sackner.
The Burning of Los Angeles / Hirschman, Jack., 1971
This poem was composed during Hirschman's Kabbalistic phase of his career. There are large Hebrew letters and words printed on the envelope and colophon. The poem and documentation are printed in Hirschman's distinctive holographic style. -- Source of annotation: Marvin or Ruth Sackner.
The Chthoinlc Arcane / Falk, Agneta; Hirschman, Jack A.., 1998
The Chthonic Arcane by Jack Hirschman , 1998
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush and added color fields in acrylic paint. -- Source of annotation: Marvin or Ruth Sackner.
The Ditto Arcane / Hirschman, Jack A.; Dahi S., 2005
The Girt Arcane, 1997
The Girt Arcane by Jack Hirschman, 1998
Falk did the calligraphy of Hirschman's poem in watercolor and china ink with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Gosh of Goshes / Jack A. Hirschman., 1991
This is an affectionate love poem with abstract painted embellishments in a book object that is an unfolding construction. -- Source of annotation: Marvin or Ruth Sackner.
The Green Chakre Arcane by Jack Hirschman, 1997
The Green Chakre Arcane by Jack Hirschman, 1997
Falk did the calligraphy of Hirschman's poem in watercolor with a fine sable brush. -- Source of annotation: Marvin or Ruth Sackner.
The Hanged Man: In Memory of Mitch Snyder / Jack A. Hirschman., 1990
Poem in homage to the homeless advocate, Mitch Snyder, who had recently committed suicide, and the sweep of the homeless from Civic Center in San Francisco. As Hirschman states, this is an ongoing struggle, i.e., a half-mast flag hangs at City Hall (ironically and hypocritically) and thus his symbolic allusion at the poem's ending. -- Source of annotation: Marvin or Ruth Sackner.